British Documentary Films 1940-1947

BRITISH DOCUMENTARY FILMS 1940-1947

1940 1941 1942 1943 1944 1945 1946 1947

1940

AFRICAN SKYWAY (Strand). Production: Donald Taylor. Photography: Jo Jago. Editor: Jack Ellitt. (February, 1940.)

AIR COMMUNIQUE (G.P.O.). Direction: Ralph Elton. (November, I940.)

AIRSCREW (Shell). Production: Arthur Elton. Direction: Grahame Tharp.
Diagrams: Francis Rodker. Photography: Sidney Beadle. (September, 1940.) 22 minutes.

ALBERT'S SAVINGS (Merton). Production: W. H. Williams. Direction:
HaroId Purcell. (October, 1940.)

ALL HANDS (Ealing). Production: Michael Balcon. Direction: John Paddy Carstairs. (May, I940.)

ASHLEY GREEN GOES TO SCHOOL (Strand). Direction: John Eldridge.
(October, 1940.)

AUTUMN ON THE FARM. (See " Crown Of The Year.")

BACKYARD FRONT (British). Production and direction: Andrew Buchanan, for the Ministry of Agriculture. Photography: Charles Francis. With Claude Hulbert, C. H. Middleton. (April, 1940.)

BEHIND THE GUNS (Merton Park). Production: Cpcil Musk, for the M.0.I. Direction: Montgomery Tully. Music: Francis Chagrin. (August, 1940.) 21 minutes.

BIG CITY, THE (Strand). Production: Alexander Shaw. Direction: Ralph Bond. (August, 1940.)

BRITAIN CAN TAKE IT (G.P.O.). Direction: Harry Watt, Humphrey Jennings. (October, 1940.) (Note.-This is a shortened version of "London Can Take It.")

BRITAIN SHOULDERS ARMS (British Paramount News). Production and direction: G. T. Cummins, for the British Council. (March, I940.)

BRITAIN'S YOUTH (Strand). Production: Alexander Shaw. Direction: Jack Ellitt. Commentary: C. B. Fry. (October, I940.)

BRITANNIA IS A WOMAN (British Movietonews). (July, 1940.)

BRITISH ARMY, THE (Colonial Film Unit). (November, 1940.)

BRITISH POWER (Universal News). Production: Clifford Jeapes. (Note this newsreel compilation was not seen in Britain.) (I940.)

BUILDERS, THE (Workers' Film Association and Selwyn Films). Produced for the Amalgamated Union of Building Trade Workers. (June, I940.)

CALL FOR ARMS, A (D. and P.). Direction: Brian Desmond Hurst. (July, 1940.)

CARGO FOR ARDROSSAN (Realist). D irection : Ruby Grierson. Assistant
director: Ralph Keene. Photography: A. E. Jeakins. (February, I940.)

CARRIER PIGEONS. (See " Winged Messengers.")

CASSEROLE COOKING (Verity). Production and direction: Jay Gardner Lewis. (December, 1940.)

CHANNEL INCIDENT (D. and P.). Direction: Anthony Asquith. With Peggy Ashcroft, Gordon Harker. (September, 1940.)

CHILDREN OF THE EMPIRE (Colonial Film Unit). (March, 1940.)

CHOOSE CHEESE (Realist). Production: John Taylor, for the British Commercial Gas Company. Direction: Ruby Grierson. Photography: A. E. Jeakins. Commentator: Alec Clunes. (September, 1940.) 1 reel.

CITIZEN’S ARMY (See " Home Guard.")

CITY, THE (G.P.O.). Production: Cavalcanti. Direction : Ralph Elton.
Photography : H. E. Fowle. Commentary : Herbert Hodge. (January, 1940 )

COASTAL DEFENCE (British Movietonews). Production: Gerald Sanger.
(October, 1940.)

COLLOIDS IN MEDICINE (Merton). Production: Cecil Musk, for British Colloids, Ltd. Direction: Marcus Cooper. Photography: Theodore Thumwood. (April, I940.)

CONVOY TO MALTA. (See " Malta Convoy.")

CURSE OF THE SWASTIKA (Pathé). Newsreel compilation directed by Fred Watts. (April, 1940.)

DANGEROUS COMMENT (Ealing). Production: Michael Balcon. Direction: John Paddy Carstairs. (May, I940.)

DISTILLATION (Shell). Production: Arthur Elton. Direction: Peter Baylis.
Animation : Francis Rodker. (July, I940.)

DRUMS OF THE DESERT. (See " Italy Beware.")

DUNDEE (Scottish Films). Direction: Donald Alexander. Photography: Graham Thomson. (May, 1940.)

EMPIRE AT WORK, THE (Colonial Film Unit). (March, 1940.)

FEAR AND PETER BROWN (Spectator). Direction: Richard Massingham.
Script: Graham Wallace. Photography: W. Luff. (August, 1940.)

FIRE (British). (October, I940.)

FIVE FACES (Strand). Production: Donald Taylor, for the Federated Malay
States. Direction: Alexander Shaw. (October, 1940)

FLYING TO AUSTRALIA WITH IVAN SCOTT (Spectator). Production and direction : Ivan Scott. (September, 1940.)

FOOD CONVOY (Merton Park). Production: A. Taylor for Cadbury.Direction : John Lewis. (October, 1940.)

FOOD FOR THOUGHT (Ealing) Production: John Croydon. Direction: Adrian Brunel. (July, 1940)

FOOD FROM THE EMPIRE (Merton) Production and direction; Theodore Thumwood. (October, 1940.)

FOURTH ESTATE,THE (Realist). Production: Paul Rotha,for "The Times"
Direction: Paul Rotha. Photography: James Rogers, Harry Rignold, A.E.Jeakins. Music: Walter Leigh. (June, 1940.) 2 reels.

FROM FAMILY TO FARM (John Page). Production and direction: John Page.
Commentary: Morton King. (October, 1940)

GIFT OF HEALTH THE (Cameo). Direction: James Carr. (April, I940.)
GOOFER TROUBLE (D. and P.). Direction Maurice Elvey (December,1940.)

GREEN FOOD FOR HEALTH (Realist). Production: John Taylor, for the British Commercial Gas Company. Direction: Ruby Grierson. Photography: A. E. Jeakins. Commentary: Alec Clunes. (September, 1940.) 1 reel.

HANDICRAFT HAPPINESS (G.B. Instructional). Direction - Mary Field.
Commentary : Peter Herbert. (1940.)

HEALTH IN WAR (G.P.O.) Direction: PatJackson,for the Ministry of Health,
(December, 1940.)

HER FATHER'S DAUGHTER (Butcher's). Direction: Desmond Dickinson.
(December, 1940.)

HERITAGE FOR DEFENCE (Colonial Film Unit). (March, 1940.)

HOME FRONT (C.W.S.). Direction: Jiri Weiss. (April, 1940.)

HYDRAULICS (Shell). Production: Arthur Elton. Direction: Ralph Elton. (February, 1940.)

ISLAND PEOPLE (Realist). Production: John Taylor, for the British Council.
Direction: Philip Leacock, John Taylor. Photography: A. E. Jeakins. (April,
1940.) 1 reel.

ITALY BEWARE (British Paramount News). Production: G. T. Cummins.
(June, 1940.)

IT COMES FROM COAL (ReaIist). Production: Edgar Anstey, for the Gas
Industry. Direction: Paul Fletcher. (November, 1940)

JOB TO BE DONE, A (Shell). Production: Arthur Elton. Direction : Donald Alexander. (0ctober, 1940.)

KAROO (G.B. Instructional). Direction and photography : Leon Schauder.
Editor: Jack Chambers. Commentary: E. V. H. Emmett. (February, 1940.)

KING'S MEN,THE(British Movietonews). Production: GeraldSanger. (September, 1940.)

LETTER FROM ALDERSHOT (Realist). Direction: John Taylor. (October,
1940.)

LONDON CAN TAKE IT (G.P.O.). Direction: Harry Watt, Humphrey Jennings. Photography: Jonah Jones, H. E. FowIe. Commentary written and spoken by Quentin Reynolds. (November, 1940.)

LONDONERS, THE (Realist). Production: Basil Wright, for the British Commercial Gas Association. Direction: John Taylor . November, 1940.)

LONDON RIVER (British). Produced for the British Council. (April, 1940.)

LOVE ON THE WING (G.P.O.). Direction: Norman McLaren. Photography: Jonah Jones, Fred Gamage. (February, 1940)

MEDIAEVAL VILLAGE (G.B.I.). Direction: Mary Field. (October, 1940.)

MEN OF AFRICA (Strand). Production: Basil Wright. Direction: Alexander
Shaw. (June, 1940)

MEN OF THE LIGHTSHIP (Crown). Production: Cavalcanti. Direction:
David Macdonald. (October, 1940.)

MINISTRY OF FOOD, COOKING HINTS (Verity). A series produced by G. E. Turner and Sydney Box, and including " Oatmeal Porridge," " Potatoes,"
" Casserole Cooking," " Steaming " and " Herrings." Direction : Jay Gardner
Lewis. Photography: S. D. Onions. (1940.)

MISS GRANT GOES TO THE DOOR (M.0.I.). Direction: Brian Desmond Hurst. (September, 1940.)

MISS KNOW-ALL. (See " The Scaremongers.")

MISS T (G.B. Instructional). Direction: Mary Field. (October, 1940.)

MOTHER AND CHILD (Realist). Production: Basil Wright. Direction: Frank Sainsbury. Photography: A. E. Jeakins. With Barbara Mullen. (Decem
ber, 1940.) 1 reel.

NEIGHBOURS UNDER FIRE (Strand). Direction: Ralph Bond. (December, 1940.)

NEW BRITAIN, THE (Strand). Production: Alexander Shaw. Direction Ralph Keene. Commentary: Graham Greene. (August, 1940.)

NOW YOUR'RE TALKING (Ealing). Production: Michael Balcon. Direction: John Paddy Carstairs. With Sebastian Shaw, Dorothy Hyson. (May, 1940.)

NURSE! (Pathé). (September, 1940.)

OBEDIENT FLAME, THE (Science). Direction: Norman McLaren. Photo-
graphy : Frank Goodliffe. (January, 1940.)

ODD JOBS IN THE GARDEN (Plant Protection). (December, 1940.)

PLAN FOR LIVING (G.B. Instructional). Direction: Donald Carter, for the
British Commercial Gas Association. (September, 1940.)

PLANNED ELECTRIFICATION (Merton). Direction: Marcus Cooper. (April,
1940.)

POINT OF VIEW Series (Spectator). Production: Ivan Scott. (1940-43.)

PROTECTION OF FRUIT (Shell). Production: Arthur Elton. Direction:
Grahame Tharp. Photographv: Stanley Rodwell, Erwin Hillier. (February, 1940.)

QUILTING (G.B. Instructional). Direction: Mary Field. Commentary: Peter
Herbert. (1940.)

R.A.F. COMMENTARY (Colonial Film Unit). (December, 1940-)

RAW MATERIALS (G.B. Instructional). Direction: Mary Field. (December,
I940.),

RELIGION AND THE PEOPLE (British). Associate producer : Arthur Elton.
Production and direction : Andrew Buchanan. (October, 1940.)

RING OF STEEL (British Paramount News). Production: G. T. Cummins.
(Note.-This film was not seen in Britain.) (1940.)

ROYAL AIR FORCE, THE (Colonial Film Unit). (December, 1940.)

RUGMAKING (G.B. Instructional). Direction: Mary Field. Commentary Peter Herbert. (1940.)

SALVAGE WITH A SMILE (Ealing). Production: Cavalcanti. Direction: Adrian Brunel. (October, 1940.)

SCAREMONGERS, THE (D. and P.).Direction: Graham Cutts. (September,1940.)

SCOTLAND'S WAR EFFORT (Strand). Production: Alexander Shaw.
Direction: Jack Ellitt. Commentary George Blake. (November, 1940)

SEA FORT (Ealing). Production: Cavalcanti. Direction: lan Dalrymple. (October, 1940.)

SILAGE (British). Production and direction: Andrew Buchanan. (October, 1940.)

SIX FOODS FOR FITNESS (Realist). Production: John Taylor, for M.0.I Direction : Ruby Grierson. Photography: A. E. Jeakins. Commentary
Geoffrey Bell. (1940.) 1 reel.

S.O.S. (T.I.D.A.). Production and direction: John Eldridge. Photography: Michael Curtis. Music: William Alwyn. (August, 1940.)

SPEED UP AND WELFARE. (See " Wartime Factory.")

SPORT AT THE LOCAL (Cameo). Direction: James Cary. (April, 1940.)

SPRING OFFENSIVE. (See " An Unrecorded Victory.")

SQUADRON 992 (G.P.O.). Production: Cavalcanti. Direction: Harry Watt.
Photography: Jonah Jones. (May, 1940.)

STORY OF AN AIR COMMUNIQUE, THE (Crown). Production: Harry, Watt. Direction: Ralph Elton. (November, 1940.)

STORY OF COTTON, THE (Colonial Film Unit). (November, 1940.)

STORY OF MICHAEL FLAHERTY, THE (R.K.O.-Radio). Production and direction: John Eldridge. Photography: Michael Curtis. (August, 1940.)

STORY OF WOOL, THE (G.B. Instructional). Produced for the International Wool Secretariat. Direction : Philip Leacock. (July, 1940.)

SWINGING THE LAMBETH WALK (Realist). Production and direction Len Lye, for the British Council. (March, 1940.)

THESE CHILDREN ARE SAFE (Strand). Production: Alexander Shaw, for the British Council. (March, 1940.)

THEY ALSO SERVE (Realist). Production: John Taylor, for the M.0.I.
Direction: Ruby Grierson. Photography: A. E. Jeakins. (December, 1940.) 1 reel.

THOROUGHBRED (Pathé). Direction: A. Curtice, for British Council. (March,
1940.)

TOMORROW IS THEIRS (Strand). Associate producer: Arthur Elton. Pro-duction: Alexander Shaw. Direction: James Carr. (December, 1940.)

TRANSFER OF POWER (Shell). Production: Arthur Eltoi?. Direction
Geoffrey Bell. Photography : Sidney Beadle. Animation: Francis Rodker (February, 1940.)

TRANSFER OF SKILL (Shell). Production: Arthur Elton. Direction : GeoffreyBell. (November, 1940.)

TRANSPORT ON TRIAL (Spectator). Production : Ivan Scott. (" Point Of
View " Series, No. 8.) (September, 1940.)

UNCONQUERABLE MINESWEEPER (Priority.) Production: A. Rutherford, (Note.-This film was not seen in Britain.) (1940.)

UNDERSEA PATROL (British Paramount News). Production: G. T. Cummins. (February, 1940.)

UNRECORDED VICTORY, AN (G.P.O.). Production: Cavalcanti. Direction: Humphrey Jennings. Photography : Jonah Jones, H. E. Fowle. (Note.-This film was originally entitled " Spring Offensive.") (December, 1940.)

VILLAGE SCHOOL (Strand). Direction: John Eldridge. (September, 1940.)

VITAL SERVICE (Shell). Production: Arthur Elton. Direction: D'Arcy
Cartwright. Photography : Stanley Rodwell. (July, 1940.)

VOICE OF THE GUNS, THE (Pathé). (July, I940.)

VOICE OF THE PEOPLE (Realist). Direction : Frank Sainsbury. Photography: A. E. Jeakins. (January, 1940.)

WAR COMES TO LONDON (British Movietonews). Production and direction:
Gerald Sanger, for the British Council. (March, 1940.)

WARTIME FACTORY (Strand). Associate producer: Arthur Elton. Pro-duction : Alexander Shaw. Direction : Edgar Anstey . (October, 1940.)

WELFARE OF THE WORKERS (G.P.O.). Direction: Humphrey Jennings. (November, 1940.)

WESTWARD HO (D. and P.). Direction: Desmond Dickinson. (July, 1940.)

WE'VE GOT TO GET RID OF THE RATS (Strand). Direction: James Carr.
(December, 1940.)

WHAT IS FEDERATION ? (Spectator). Production: Ivan Scott. (" Point Of
View " Series, No. 7.) (August, 1940.)

WHAT'S FOR DINNER ? (Realist). Production: Johiz Taylor, for the British
Commercial Gas Company Direction : Ruby Grierson. Associate producer :
Edgar Anstey. Photography: A. E. Yeakins. Commentary spoken by Alec
Clunes. (September, 1940.) 1 reel.

WIDE BATTLE FRONT (Seven-League). Production and direction: Hans
Nieter. (October, 1940.)

WINGS OVER THE EMPIRE (Strand). Production: Alexander Shaw. (1940.)

WINTER STORAGE (Plant Protection). (December, 1940.)

WOMEN AT WAR (Verity). Direction: Louise Birt. (1940.)

WOMEN IN UNIFORM (April, 1940.)

WORKER AND WARFRONT (Films of Fact). (Note.-This was a monthly magazine produced by Paul Rotha and directed by Duncan Ross. Nos. 1-18 produced for the factories. Superseded in 1945 by the " Britain Can Make It" magazine.) (1940-45.) 11 minutes each issue.

YESTERDAY'S OVER YOUR SHOULDER (D. and P.). Production and direc-tion: Thorold Dickinson. (September, 1940,)

YOUNG ANIMALS (Strand). Production: Alexander Shaw. (1940.)

1941

ACK-ACK (Shell). Production. Edgar Anstey. Direction: Peter Baylis. Photography: Sidney Beadle. Animation: Francis Rodker. (April, 1941.)

ADESTE FIDELIS (Strand). Production: Basil Wright. Direction: Ralph Keene. Photography : Charles Marlborough, Gerald Gibbs. Musical Direction: Muir Mathieson. (May, 194I.)

AFRICAN IN LONDON, AN (Colonial Film Unit).* Direction: George Pearson.
With Robert Adams. (JULY, 194I.) *This was not generally shown in Britain. Neither were succeeding productions in this list made by the Colonial Film Unit.

AIRWOMAN (G.B. Screen Services). Direction: Francis Searle. Photography: Roy Fogwell. (August, 194I.)

ALERT IN THE EAST (Movietonews). Production: Gerald Sanger. Direction: Raymond Perrin. (October, 194I.)

ALL ABOUT CARROTS (British Foundation). Production and direction: Ronald Haines. (September, 194I.)

ANY OLD IRON (Merton Park). (January, 1941.)

A.1.AT LLOYD'S(Strand). Production: Alexander Shaw, for the British Council.
Direction: Ralph Bond. Script: Reg Groves. Photography: Jo Jago. Com-
mentary: Leslie Mitchell. Music: John Greenwood. (August, 1941.)

ARCHITECTS OF BRITAIN (Strand). Production and direction: John
Eldridge, for the British Council. Photography: Martin Curtis, Charles
Marlborough. (February, 1941.)

A-TISH-OO (Verity). Production : Jay Gardney Lewis. Direction: Maxwell Munden. Photography: Bernard Browne. (February, 194I.)

A.T.S. (Army Film Unit). Direction: Hugh Stewart. (July, 194I.)

BAMPTON SHOWS THE WAY (Rotha). Production: Paul Rotha. Direction:
Bladon Peake. (March, 194I.)

BATTLE OF THE BOOKS (Rotha). Production: Paul Rotha. Direction: Jack Chambers. Photography: Peter Hennessy. Commentary: Henry Ainley. (November, 1941.)

BREATH OF DANGER (G.B.I.). Production: Bruce Woolfe, for the Central Council for Health Education. Direction: Stanley Irving. (October, 1941.)

CANADA IN LONDON, 1941 (Realist). Production: Yohn Taylor, for the M.0.I. Direction: Hans Nieter. Photography: A. E. Jeakins. (1941.) 1 reel.

CANTEEN ON WHEELS (Verity). Production: Basil Wright. Direction: Jay Gardner Lewis. Photography: Bernard Browne. (March, 1941.)

CARRIER PIGEONS. (See " Winged Messengers.")

CARRY ON, CHILDREN (Spectator). Production: 17, Ivan Scott. Direction:
Michael Hankinson. (November, 1941.)

CHILDREN SEE IT THROUGH, THE (Rotha). Production: Paul Rotha. Direction: Yvonne Fletcher. Photography: Arthur Mann. (October, 1941.)

CHRISTMAS UNDER FIRE (Crown). Direction : Harry Watt. Commentary Quentin Reynolds. (January, 1941.)

CITIZEN’S ADVICE BUREAU (G.B.Screen Services). Production : Leslie Arliss. Direction: Francis Searle. (August 1941)

CITIZEN’S ARMY (See " Home Guard.")

COAL FRONT (G.B. Instructional). Direction: Francis Searle. (January, 1941.)

CRUMBS AND CRUSTS (A. and D.), Direction: Alex Bryce. (October, 194I.)

DAI JONES (Verity). Direction: Dan Birt. Photography: Roy Fogwell. (April, 1941.)

DANGERS IN THE DARK (Public Relationship). Production and direction: Richard Massingham. (November, 194I.)

DAWN GUARD, THE (Charter). Production: John Boulting. Direction: Roy Boulting. Commentary: Bernard Miles. (January, 1941.)

DEFEAT DIPHTHERIA (Rotha). Production: Paul Rotha. Direction: Bladon Peke. Photography: Erwin Hillier. (June, 1941.) 8 minutes. (Note.-This was re-edited by Sylvia Cummins, and re-issued by New Realm in 1945.)
DRUMS OF THE DESERT. (See " Italy Beware.")

EATING AT WORK (Strand). Produced for the British Commercial Gas Associa-tion. Associate producer: Edgar Anstey. Direction : Ralph Bond. Photo-graphy: Gerald Gibbs. (October, 194I.)

EATING OUT WITH TOMMY TRINDER (Strand). Direction: Desmond Dickinson. Photography: George Noble. With Tommy Trinder, Yean Colin. (June, 1941.)

EMERGENCY COOKING STOVE (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction: Henry Cooper. Photography: Charles Francis. (October, 1941.)

EMPIRE MARCHES, AN (Universal News). (July, 194I.)

ENGLISH AND AFRICAN LIFE (Colonial Film Unit. (May, 1941.)

FEED THE FURNACES. (See " Any Old Iron.")

FEW OUNCES A DAY, A (Rotha). Production; Paul Rotha. Designs: Isotype Institute. Sound: Ernst Meyer. Commentary: Henry Hallatt. (November, 1941.) 7 minutes.

FIGHTER PILOT (British Movietonews). Production: Gerald Sanger. Direc-tion: R. Perrin. (February, 1941.)

FIGHTING FIELDS (G.B. Instructional). Production: Mary Field. Direction: S. Russell. (April, 1941.)

FITNESS FOR SERVICE (G.B. Instructional). Direction: J.Warren. (January, 1941.)

FIVE AND UNDER (Rotha,). Production: Paul Rotha. Direction: Donald Alexander. Photography: John Page. (January, 1941.)

FROM THE FOUR CORNERS (D.andP.). Production and direction: Anthony
Havelock-Allan. With Leslie Howard. (April, 1941.)

FURNACES OF INDUSTRY (Merton). Production and direction: Cecil Musk.
(February, 1941.)

GALAPAGOS (Dartington Hall) Direction: William Hunter, David Lack. Photography: Richard Leacock. (February, 1941)

GERMANY CALLING (Spectator). Production and compilation: C. A. Ridley.
(December, 1941.)

GIVE US MORE SHIPS (Merton Park). Produced for the National Savings Committee. With Leslie Banks. Poem : Gilbert Frankau. (December, 1941.)

GOLD COAST (Merton Park). Production: W. Cricchton, for Cadbury. (May,
1941.)

GOOD LANDFALL, A (Strand). Production: Basil Wright, for the Salvation Army. Direction: Michael Gordon. Photography: Lionel Banes. October,1941.)

GOODBYE YESTERDAY (Realist). Production: Basil Wright, for M.0.I.
Direction: John Taylor. Photography: A. E. Jeakins. Commentary: Colin Wills. (1941.) 3 reels.

GREEN GIRDLE (Strand). Production: -Basil Wright. Direction: Ralph Keetie. Photography: Jack Cardiff. Music: Richard Addinsell. Commentary: Bruce Belfrage, Robert MacDermot. (June, 1941.)

GUESTS OF HONOUR (Ealing). Production: Cavalcanti. Direction: Ray Pott. Editor: Charles Crichton. Photography: Douglas Slocombe. Com-mentary: Frank Owen. (September, 1941.)

GUN, THE (British Paramount News). Production and direction: G. T. Cummins. With Ed Murrow. (Note.-This was not shown in Britain.) (1941.)

GUNS IN THE DESERT (Colonial Film Unit). (Note.-This is a re-edited version of " Italy Beware.") (January, 1941.)

HEART OF BRITAIN, THE (Crown). Direction: Humphrey Yennings. Com-mentary: Ed Murrow. (Note.-This was released in the U.S.A. as " This Is England.") (March, 1941.) 10 minutes.

H.M.S. MINELAYER (Verity). Production: Sydney Box, James Carr, for the
M.0.I. and Admiralty. Direction: Henry Cass. (October, 1941.) 8 minutes.

HOME GUARD (Strand). Production and direction : Donald Taylor. Associate director: Ivan Moffat. Photography: George Noble. With Bernard Miles.
(June, 1941.)

HOSPITAL NURSE (G.B.Screen Services). Direction: Francis Searle. (Novem
ber, 1941.)

HOW TO DIG (Selwyn). Direction: Jack Ellitt. Photography: Jack Parker.
Commentary: Roy Hay. (October, 1941.)

HOW TO FILE (Shell). Production: Edgar Anstey. Direction: Kay Mander. Photography: Sidney Beadle. (December, 1941.)

INDIA'S NAVY GROWS (British Movietonews). Production:
Gerald Sanger. (Note.-This was not shown in Britain.) (1941.)

INTO THE BLUE (G.B. Instructional). (January, 194I.)

IN WHICH WE LIVE (Public Relationship). Production: Lewis Grant Wallace.
Director: Richard Massingham. (November, 1943.)

IT ALL DEPENDS ON YOU (Merton Park). Direction: Theodore Thumwood.
(August, 1941.)

KILL THAT RAT(Publicity). Production associate: Edgar Anstey. Direction:
Terence Bishop. Photography: A. T. Dinsdale. (June, 1941.)

LADY BE KIND (British National). Production: 7ohn Corfield. Direction: Rodney Ackland. Script: Rodney Ackland, Arthur Boys. With Muriel George. (August, 1941.)

LEARNING TO LIVE (Merton Park). Direction: Harold Purcell, for the British Council. Photography: James Rogers. (July, 1941.)

LETTER FROM HOME, A (2oth Century-Fox). Production: Edward Black.
Direction: Carol Reed. With Celia Johnson. (Note.-This film was not shown
in Britain.) (June, 1941.).

LION OF JUDAH, THE (Army Film Unit). Direction: Erie Boothby. (March, 1941.)

LIVING WITH STRANGERS (Realist). Production: Basil Wrighl, for the M.0.I. Direction: Frank Sainsbury. Photography: A. E. Jeakins, Jo Jago.
(1941.) 1 reel.

LOFOTEN (Army Film Unit and Crown). Production: David Macdonald.
Direction: Tennyson d'Eyncourt. Commentary: Anthony Kimmins. (April,
1941.)

LONDON, AUTUMN 1941 (Films of Great Britain). Production: Andrew Buchanan. Commentary : Sir Gilbert Scott. (Note.-This film was not released
in Britain.) (I941.)

MALARIA (Shell). Production: Arthur Elton. Direction: Grahame Tharp. Photography: Sidney Beadle, Percy Smith. Animation : Francis Rodker. (May, 1941.)

MAN OR MACHINE ? (Spectator). Production: Ivan Scott. (This is " Point of View" Series, No. 9.) (January, 1941 .)

MERCHANT SEAMEN (Crown). Direction : J. B. Holmes. Assistant director Ralph Elton. Photography: H. E. Fowle. Editor: Richard McNaughton.
Settings: Edward Carrick. (May, 1941.) 24 minutes.

MOBILE CANTEEN (Verity). Associate producer: Basil Wright. Direction:
Jay Gardner Lewis. Photography : Bernard Browne. (Note.-See also " Canteen On Wheels.") (July, 1941.)

MODERN SPIRIT, THE (G.B. Instructional). Direction: Frank Bundy. (February, 1941.)

NEW ACRES (Shell). Production: Ed,,ar Ansley. Direction: R. K. Neilson Baxter. Photography: Stanley Rodwell. Sound: W. S. Bland. (September, 1941.)

NEW BREAD, THE (Merton Park). (August, I941.)

NIGHT WATCH (Strand). Production and direction: Donald Taylor. Associate producer: Ralph Bond. Script: Rodney Ackland, Reg Groves. Photography: George Noble, Lionel Banes. With Ann Firth. (July, 1941.)

NORTHERN OUTPOST (Army Film Unit). Production: David Macdonald.
Direction: Tennyson d' Eyncourt. (February, 1941.)

NURSERY OF THE NAVY. (See " Sea Cadets.")

ORDINARY PEOPLE (Crown). Direction: J. B. Holmes. (May, 1941.)

OUR RUSSIAN ALLIES (Anglo-American). Production and compilation:
Herbert P. Y. Marshall. Commentary: J. B. Priestley, Major A. S. Hooper,
Charles Garner. (December, 1941.)

OUR SCHOOL (Rotha). Production: Paul Rotha, for the Board of Education. Direction: Donald Alexander. (March, 1941.) 17 minutes.

OUT OF THE NIGHT (Realist). Production: John Taylor, for the British Council. Direction: Max Andrson. Photography: Erwin Hillier. Commentary: Albert Pearl. (March, 1941.) 1 reel.

OWNER COMES ABOARD (Spectator). Production: Ivan Scott. Direction:
Alex Bryce (January, 1941.)

PILOT IS SAFE, THE (Crown). Production: Jack Lee. Photography: Skeets Kelly. (November, 1941.)

PLASTIC SURGERY IN WARTIME (Realist). Production: John Taylor, for the M.0.1. Direction: Frank Sainsbury. Photography: Jack Cardiff. Corn-mentary: Sir Harold Gillies. (Note.-This film was not shown in Britain.) (1941.) 2 reels.

POST23 (Strand). Direction: Ralph Bond. Photography: Charles Marlborough. With John Longden. (November, 1941.)

PROGRESS IN THE COLONIES (Colonial Film Unit). (March, 1941.)

QUEEN'S MESSENGER (Lewis). Production and direction: Jay Gardn- Lewis. Associate Producer : Basil Wright. (July, 1941.)

RABBIT PEST, THE (Strand). Production : Donald Taylor, for Plant Pro-tection. Direction and photography: Gerald Gibbs. Commentary: Bernard
Miles. (June, I941.)

RAISING AIR FIGHTERS (British Paramount News). Production: G. T.
Cummins, for the British Council. (1941.)

RED CROSS IN ACTION (British Movietonews). Production:Gerald Sanger
May, I941.)

ROOTS OF VICTORY (Verity). Production: Jay Gardner Lewis, for the
Ministry of Food and the Ministry of Agriculture. (August, 1941.) (Note.- this film was adapted from " Spring Vegetables.")

ROSE OF THE ORIENT. (See " Tea Is Served.")

ROYAL OBSERVER CORPS (Spectator). Production : Michael Hankinson. Direction: Gilbert Gunn. (December, 194I.)

SAILORS WITHOUT UNIFORM (Spectator). Production and direction: Ivan Scott, for the British Council. (October, 1941.)

SALUTE TO FARMERS (Merton Park). Direction: Montgomery Tully, for Cadbury. (May, 1941.)

SAM PEPYS JOINS THE NAVY (G.B. Screen Services). Production and direction : Francis Searle, for the National Savings Committee. Photography: Walter Harvey. (December, 1941.)

SCOTLAND SPEAKS (Strand). Production: Alexander Shaw. Direction: Jack Ellitt. (April, 1941.)

SEA CADETS (Lewis). Production: Jay Gardner Lewis. Photography: Charles Marlborough. Commentary: Bernard Miles. (August, 1941.)

SEPTEMBER, 1940. Produced by the London Fire Brigade. (1941.)

SERVING ARMY, THE (Strand). Direction: .7ohn Eldridge, Ralph Keene, for the Salvation Army. Photography: George Noble. (February, 1941.)

SHIP BUILDERS (G.B. Instructional). Direction: Leon Schauder. (January, 194I.)

SHUNTER BLACK'S NIGHT OFF (Verity). Production: Sydney Box. Written
and directed by Maxwell Munden. Photography: Bernard Browne. Commentary: John Slater. (September, I941).

SIMPLE SOUPS (British Foundation). Production and direction: Ronald Haines. (October, 1941.)

SIMPLIFIED FIRST AID (Films of Great Britain). Production: Andrew
Buchanan, for the M.0.I. Direction: Henry Cooper. Photography: Charles
Francis. (September, 1941.)

SOWING AND PLANTING (Selwyn). Associate producer: Edgar Anstey. Production : Jack Ellitt. Photography : Jack Parker. Commentary : Roy Hay. (November, 1941.)

SPECIAL DESPATCH (Army Film Unit). Direction: Hugh Stewart. (Novem-ber, 1941.)

SPRING VEGETABLES. (See " Roots Of Victory.")

STEEL GOES TO SEA (Merton Park). Direction: John Lewis, for the British
Council. (October, 1941.)

TARGET FOR TONIGHT (Crown). Production: Ian Dalryiiiple. Direction:
Harry Watt. Photography: Jonah Jones. Sound. Ken Cameron. (August,
1941.) 50 minutes.

TEA IS SERVED (Verity). Production: Jay Gardner Lewis, for the Ministry of Food. (Note.-This was adapted from " Rose Of The Orient.") (August, 1941.)

TEAM, THE (Associated British). Direction: Leslie Arliss, Norman Lee. Photo-graphy: Walter Harvey, Ronald Anscombe. (September, 1941.)

THESE ARE PARATROOPS (Colonial Film Unit). (December, 1941.)

THIS IS A BARRAGE BALLOON (Colonial Film Unit). (November, 1941.)

THIS IS A SEARCHLIGHT (Colonial Film Unit). (November, 194I.)

THIS IS A SPECIAL CONSTABLE (Colonial Film Unit). (November, 1941.)

THIS IS AN ANTI-AIRCRAFT GUN (Colonial Film Unit). (November, 1941.)

THIS IS AN A.R.P. WARDEN (Colonial Film Unit). (December, 1941.)

THIS IS ENGLAND. (See " The Heart of Britain.")

THIS IS POLAND (Concanen). Production: Derrick de Marney. Direction:
Eugene Cekalski. (February, 1941.)

THRIFT (G.B. Instructional). Direction: Mary Field. Commentary: Peter
Herbert. (January, 1941.)

TURN OF THE FURROW (Shell). Production: Edgar Anstey. Direction:
Peter Baylis. Photography: Sidney Beadle. Commentary : Bernard Miles. (February, 1941.)

TWO COOKS AND A CABBAGE (A. and D.). Production: Alex Bryce.
Photography: Stephen Dade. (September, 1941.)

ULSTER (Strand) Production : Alexander Shaw. Direction : Ralph Keene. Photography : Jo Jago, George Noble. Music: Richard Addinsell. Commentary written by St.John Irvine, spoken by Robert McDermot.. (October, 1941)

UNFINISHED JOURNEY (Concanen). Production: Derrick de Marney. Direction: Eugene Cekalski. (1941.)

UPLAND AND LOWLAND FARM (Dartington Hall). Direction: Erica Etenson. Photography: William Hunter, Erica Etenson. (February, 1941.)

VENTURE ADVENTURE (Crown). Direction: Charles Hasse. Photography:
Edward Catford. Sound: A. Valentine. (November,1941)

VISIT FROM CANADA, A (Realist). Production: Basil Wright, for the M.0.I.
Direction : John Taylor. Photography : A. E. Jeakins. (1941.) 1 reel.

WAR AND ORDER (Crown). Direction: Charles Hasse. (January, 1941)

WAR FRONT (Strand). Direction : John Eldridge, for Odhams Press. Photo-
graphy: Jo Jago. Music: Ludwig Brav. (April, 1941.)

WE WON'T FORGET (Realist). Associate producer: Basil Wright, for the M.0.I. Production: John Taylor. Direction: Frank Sainsbury. Photography: A. E. Jeakins, Reginald Wyer. Commentary : Colin Wills. (Note.-This film was not issued in Britain.) (May, 1941.) 2 reels.

WELSH PLANT BREEDING STATIONS (G.B. Instructional). Associate producer: Arthur Elton. Direction: J. Durden. (December, 1941.)

WHEN THE PIE WAS OPENED (Realist). Production: .John Taylor for Ministry of Food. Direction: Len Lye. Photography: A. E. Jeakins. Sound : Ernst Meyer. (August, 1941) 1 reel.

WHITE EAGLE, THE (Concanen). Production: Derrick de Marney, for the Polish M.0.I. Direction: Eugene Cekalski. Commentary written by Val Gielgud, and spoken by Leslie Howard. (August, 1941.)

WINGED MESSENGERS (G.B. Instructional). Direction: Mary Field. Photo-
graphy: Frank North. (July, 1941.)

WISDOM OF THE WILD (G.B. Instructional). Direction: Mary Field. (Febru-
ary, 1941.)

WORDS FOR BATTLE (Crown). Direction: Humphrey Jennings. Commentary spoken by Laurence Olivier. (May, 1941.)

W.R.N.S. (Strand). Production: Donald Taylor. Direction: Ivan Moffat. Photography: Jo Jago. , Music: Richard Addinsell. (November, 1941.)

YELLOW CAESAR (Ealing). Production and direction: Cavalcanti. Script: Frank Owen, Michael Foot. (April, 1941.) Feature length.

YOUNG VETERANS (Ealing). Production: Cavalcanti. Direction: Charles Crichton. Commentary written and spoken by Michael Balcon. (Note.-This film was not shown in Britain.) (1941.)

YOU'RE TELLING ME (Rotha). Production: Paul Rotha. Direction : Bladon Peake. (April, 1941.)

1942

A.B.C.D. OF HEALTH (Spectator). Production: Michael Hankinson. Direction: Jack Ellitt. (June, 1942.)

ACCORDING TO PLAN (British Movietonews). Production: Gerald Sanger.
(October, 1942.)

ACTION (Technique). Production: Sydney Box, James Carr. Direction: Muriel Baker. (March, 1942.)

AIR OPERATIONS (Crown). Production: Ian Dalrymple. Direction: Harry Watt. (Note:-This is an abbreviated version of " Target For Tonight.") (February, 1942.)

ALL THOSE IN FAVOUR (Rotha). Production: Paul Rotha. Direction: Donald Alexander. Photography: Geoffrey Faithfull. (January, 1942.) AMERICA MOVES UP (Crown). Direction: Ralph Elton. (Note.-This film was not issued in Britain.) (1942.)

ARMS FROM SCRAP (British Movietonews). Production: Gerald Sanger. (March, 1942.)

ARMY LAYS THE RAILS, THE (Army Film Unit). Direction: Tennyson d'Eyncourt, Gerald Keen. Commentary: Eric Baume. Music: Hans May. (January, 1942.)

ASK C.A.B. (Verity). Direction : Henry Cass. (August, 1942.)

ATLANTIC CHARTER (Crown). Production: Ian Dalrymple. (October, 1942.)

BALLOON SITE 568 (Strand). Production: Alexander Show. Direction: Ivan Moffat. Photograghy: Jo Jago. Script: Dylan Thomas, Ivan Moffat. (July, 1942.)

BARBADOS DAY AT PORTSMOUTH (Colonial Film Unit). (June, 1942)

BATTLE FOR FREEDOM (Strand). Production: Basil Wright. (September, 1942.)

BATTLE OF SUPPLIES (Strand). Production: Basil Wright. Supervising Editor : Alan Osbiston. Editor: H. A. Oswald. Diagrams: J.F. Horrabin. Music: Victor Hely Hutchinson. Musical director: Muir Mathieson. (November,
1942.)

B.B.C. BRAINS TRUST, THE (Strand). 3 issues. Production: Howard Thomas, Donald Taylor. Photography: Jo Jago, Charles Marlborough, Harold Young Moray Grant. With Commander Campbell, Professor C. E. M. Joad, Jennie Lee, Colonel Walter Elliot, Professor Julian Huxley, etc., and Question Master Donald McCulloch. (I942-43.)

BIRTH OF A TANK, THE (Spectator). Production: Michael Hankinson. Direction: Gilbert Gunn. (June, 1942.)

BLOOD TRANSFUSION (Rotha). Production: Paul Rotha. Direction:
Hans Nieter. Photography : Harry Rignold. (February, 1942.)

BORDER WEAVE (George Turner). Production: George E. Turner, for the British Council. Direction: John Lewis Curthoys. Photography: Jack Cardiff. (February, I942.)

BUILDERS (Crown). Direction: Pat .7ackson. Photography: C. Pennington-Richards. Editor . Francis Cockburn. Commentary: John Hilton. (April, 1942.)

BUILDING FOR VICTORY (Pathé). (February, 1942.)

CALLY HOUSE (Scottish). Direction: S. Russell. (July, 1942.)

C.E.M.A. (Strand). Production: Alexander Shazv. Direction: 7ohn Banting, Dylan Thomas, Charles de Lautour, Alan Osbiston, Peter Graham Scott, Desmond Dickinson. Photography : Charles Marlborough. (September, 1942.)

CITY FIRE, DECEMBER 29th, 1940. Produced by the London Fire Brigade.
(September, 1942.)

CLAMPING POTATOES (Realist). Production: John Taylor, for the Ministry of Agriculture. Direction: Max Anderson. Photography: John Taylor. (September, 1942.) 1 reel.

COASTAL COMMAND (Crown). Production: Ian Dalrymple. Direction: J. B. Holmes. Associate directors: Ralph Elton, Jack Lee, Richard McNaughton. Music: R. Vaughan Williams. (November, I942.) 73 minutes.

CONTROL ROOM (Shell). Production: Edgar Anstey. Direction: Geoffrey Bell. Photography: Sidney Beadle. Animation: Francis Rodker. Assistant director: Lionel Cole. (December, 1942.)

CORVETTES (Spectator). Direction: Ivan Scott. (January, 1942.)

COUNTRYWOMAN, THE (Seven-League). Associate producer: Paul Rotha. Direction: John Page. (April, I942.)

CULTIVATION (Realist). Associate producer: Edgar Anstey, for the Ministry of Agritulture. Production : Frank Sainsbury. Direction : Margaret Thomson. Music: Ernest Meyer. Commentary: Roy Hay. (January, I942.) 2 reels.

DAY THAT SAVED THE WORLD, THE (Crown). Production and compilation Jack Chambers. (August, 1942.)

DECKCHAIR (Colonial Film Unit). (1946.) Production: Sydney Box, James Carr. Direction: Louise Birt. (August, 1942.)

DIARY OF A POLISH AIRMAN (Concanen). Production: Eugene Cekalski, with the co-operation of the Polish Ministry of Information and Polish Air Force. (April, 1942.)

DIG FOR VICTORY (Spectator). Production and direction: Michael Hankinson. Associate producer: Edgar, Anstey. (January, 1942.)

DINNER AT SCHOOL (Seven-League). Direction : Hans Nieter. (June, I942.)

DITCHING (Realist). Associate producer: Edgar Anstey,. Production: John Taylor, for the Ministry of Agriculture. Direction : Margaret Thomson. Photo-graphy: Alex Strasser. Music: Ernest Meyer. Commentary: Roy Hay. (May, 1942.) 1 reel.

DOCKERS (Realist). Production: John Taylor for the M.O.I. Direction:
Frank Sainsbury. Photography: A. E. Jenkins. (July, 1942.) 1 reel.

DOVER REVISITED (Army Film Unit). Direction: Harry Watt. (August, 1942.)

DOWN OUR STREET (Merton Park). Direction: Terence Bishop, for the National Savings Committee. (June, I942.)

DUSTBIN PARADE (Realist). A cartoon film produced by John Taylor. Animation: John Halas, Joy Batchelor. (August, 1942.) 1 reel.

EMPIRE AID (British Movietonews). Production: Gerald Sanger. (August, I942.)

EMPIRE'S NEW ARMS (Pathé). (January, 1942.)

ESSENTIAL JOBS (Rotha). Production: Paul Rotha. Direction: John Page.
Photography: Stanley Rodwell. Script: V. S. Pritchett. Sound: Leo Wilkins.
Editor: Sylvia Cummins. (August, 1942.)

FEEDING THE ARMY (Colonial Film Unit). (August, 1942.)

FERRY PILOT (Crown) Production: Ian Dalrymple. Direction: Pat Jackson. Photography: H.E.Fowle. Editor: Richard McNaughton. Music: Brian Easdale. (March, 1942)

FIGHTING ALLIES (British Movietonews). Direction: Louise Birt. (January,
1942.)

FILLING THE GAP (Realist). Production: John Halas, Joy Batchelor. Music: Ernst Meyer. (April, 1942.)

FILM REALITY (National Film Library). Production and complication: Caval-canti. Assistant: Ernest Lindgren. (Note.-This film is a critical and historical survey of realist films of all countries from 1896-1939, produced for the National Film Library.) (1942.) Feature length.

FIND, FIX AND STRIKE (Ealing). Production: AHchael Balcon, Cavalcanti.
Direction.. Compton Bennett. (I942.)

FIREGUARD (Shell). Production: Edgar Anstey. Direction: Geoffrey Bell. Photography: Sidney Beadle. (February, 1942.)

FISHERMEN OF ENGLAND (Spectator). Production and direction: Ivan Scott, for the British Council. (Note.-Not shown in Britain.) (1942.)

FOOD FROM STRAW (G. B. Instructional). Direction; Stanley Irving. For ICI. (May, I942.)

FOR CHILDREN ONLY (Strand). Production: Alexander Shaw, for the Ministry of Food. Direction: John Eldridge. Photograpy: Charles Marlborough. (April, 1942.)

FREE FRENCH NAVY (Spectator). Direction: Robin Carruthers. With Guy-Maas. (May, 1942.)

FREE HOUSE (Verity). Direction: Henry Cass. (August, 1942.)

FRONT LINE CAMERA. (See" Twenty-One Miles.")

FRUIT SPRAYING (Shell) Production : Edgar Anstey. Direction Kay Mander. Photography: Sidney Beadle. (June, 1942.)
N (Plant Protection). (December, i94o.)
GO TO BLAZES (Ealing). Production: Michael Balcon. Direction: Walter Forde. Script: Diana Morgan, Angus Macphail. Photography: Ernest Palmer.
With Will Hay. (May, 1942.)

GOOD VALUE (Realist). Production: John Taylor. Direction: Hans Nieter,
for the British Council. (Note.-Not shown in Britain.) (1942.)

GREAT HARVEST, THE (Rotha). A library compilation. Production: Paul Rotha. Direction: Jack Chanzbers. Music: Francis Chagrin. (November,1942.)

GREETINGS TO SOVIET SCHOOLCHILDREN (British Movietonews). Production: Gerald Sanger. (Note.-Not shown in Britain.) (1942.)

HARNESS YOUR HORSEPOWER (Verity). Production: Sydney Box, James Carr, for the Ford Motor Company. Direction: Clifford Hornby. (May, 1942.)

HARVEST SHALL COME, THE (Realist). Production: Basil Wright, for the Imperial Chemical Industries. Direction : Max Anderson. Photography: A. E. Jeakins. Script: H. W. Freeman. Music: William Alwyn. Commentary: Edmund Willard, Bruce Belfrage. With John Slater, Eileen Beldon, Richard George. (May, 1942.) 38 minutes.

HE WENT TO THE CUPBOARD (Films of Great Britain). Production Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photo-graphy: Charles Francis. With Joan Sterndale Bennett, Hay Petrie. (January, 1942.)

HEAVIER THAN AIR (G.B. Screen Services). Production: Eric Dane. Direc-tion : Francis Searle. (Note.-This film was not seen in Britain.) (1942.)

HEDGING (Realist). Associate producer: Edgar Anstey. Production: Yohn Taylor, for the Ministry of Agriculture. Direction: Margaret Thomson. Photo-
graphy: Alex Strasser. Music: Ernst Meyer. Commentary: Roy Hay. (May,
1942.) 1 reel.

HIS MAJESTY'S JOLLIES (British Paramount News). Production and direction: G. T. Cummins. (September, 1942.)

H.M. KING GEORGE V (Verity). Production and compilation: Leslie Laurence. Photography : Ray Elton. (September, 1942.)

H.M. NAVIES GO TO SEA (British Movietonews). Production: Gerald Sanger.
(January, 1942.)

HOOK LADDER DRILL. Produced for the London Fire Brigade. (September,
1942.)

HOT ON THE SPOT (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction: Henry Cooper. Photography: Charles Francis. (January, I942.)

HOUSE IN LONDON, A (British Paramount News). Production: G.T.Cummins. (November, 1942.)

HOW TO THATCH (Strand). Associate producer: Edgar Anstey, Direction: Ralph Bond. Photography: Charles Marlborough. Commentary: Frederick Grisewood. (January, 1942.)

JANE BROWN CHANGES HER JOB (Verity). Production: Sydney Box,
James Carr. Direction : H. Cooper. (January, 1942.)

KEEPING RABBITS FOR EXTRA MEAT (Strand). Produced for the Ministry of Agriculture. Associate producer: Edgar Anstey. Direction : Ralph Bond. Photography: Charles Marlborough. Commentary: Wilfred Pickles. (March, 1942.)

KNIGHTS OF ST. JOHN (Strand). Production: Donald Taylor. Direction: Jay Gardner Lewis. (February, 1942.)

LAND GIRL (Rotha). Production: Donald Alexander. Direction: John Page. Photography: Graham Thompson. (February, 1942.) 8 minutes.

LIFE BEGINS AGAIN (Rotha). Production: Paul Rotha. Direction: Donald Alexander. Photography: Wolfgang Suschitzky. Music: Wm.Alwyn. (October,
1942.)

LISTEN TO BRITAIN (Crown). Production: Ian Dalrymple. Direction:
Humphrey Jennings. (April, 1942.) 19 minutes.

LONDON BLITZ, MAY 10th AND llth, 1941. Produced by the London Fire Brigade. (1942.)

LONDON SCRAPBOOK (Spectator). Production: Basil Wright. Direction Derrick de Marney,, Euigene Cekalski. Photography: A. H. Luff. With Bessie Love, Basil Radford, Leslie Mitchell. (May, 1942.

MACHINES AND MEN (C.W.S.). Direction: George Wynn. (January, 1942.)

MAKING A COMPOST HEAP (Realist). Associate producer: Edgar Anstey. Production : Frank Sainsbury, for the Ministry of Agriculture. Direction Margaret Thomson. (March, 1942.) 1 reel.

MEN OF INDIA (Indian Film Unit and Strand). Production: Alexander Shaw.
With English commentary by Edmund Willard. (May, I942.)

MEN OF TOMORROW (Technique). Production: Sydney Box, James Carr.
Direction : A. Travers. (January, 1942.)

MIDDLE-EAST (Shell). Production: Edgar Anstey. Direction: Grahame
Tharp. Animation: Francis Rodker. (April, 1942.)

MOBILE ENGINEERS (Strand). Production: Donald Taylor, Direction:
Michael Gordon. Photography: Bernard Browne. Script and commentary:
Reg Groves. (May, 1942.)

MODEL PROCEDURE FOR WATER RELAYING (Shell). Production:
Edgar Anstey. Direction: Kay Mander. (October, I942.)

MORE EGGS FROM YOUR HENS (Merton Park). Production: Terence Bishop, for the Ministry of Agriculture. Photography : James Rogers. Editor Catherine Miller. (February, 1942.)

NAVAL OPERATIONS (Shell). Production: Edgar Anstey. Direction:
Grahame Tharp. Animation: Francis Rodker. (January, 1942.)

NEW FIRE BOMB, A (Shell). Production: Edgar Anstey. Direction:
J.B. Napier Bell. Photography : Stanley Rodwell. (September, 1942.)

NEW TOWNS FOR OLD (Strand). Production: Alexander Shaw. Direction: John Eldridge. Photography : Jo Jago. Script : Dylan Thomas. (June, 1942.)

NEWSPAPER TRAIN (Realist). Production: John Taylor, for the M.0.I.
Direction: Len Lye. Photography: A. E. Jeakins. Sound: Ernst Meyer.
Commentary : Merril Mueller. (March, 1942.) 6 minutes.

NIGHT SHIFT (Rotha). Production: Paul Rotha. Direction: Jack Chambers. Photography : Harold Young. (May, 1942.) I5 minutes.

NO ACCIDENTS (Scottish). Direction: Stanley Russell. (July, 1942.)

NOSE HAS IT, THE (Gainsborough). Production: Edward Black. Direction:
Val Guest. With Arthur Askey. (November, 1942.)

OUR INDIAN SOLDIERS (Colonial Film Unit). (Note.-This was compiled from material from " A Day With The Indian Army.") (February, 1942.)

OUT AND ABOUT (G. B. Instructional). Direction: Stanley Irving. (January,
1942.)

OWNER GOES ALOFT, THE (Spectator). Direction: lvan Sc,tt. (April 1942.)

PARATROOPS (Celluloid Dispatch). Production and compilation: Sylvia Cummins. (September, 1942.)

PARTNERS IN CRIME (Gainsborough). Written and directed by Frank Launder and Sidney Gilliat. (June, 1942.)

PEMBROKE DOCKS FIRE. Produced by the London Fire Brigade. (1942.)

POINT OF VIEW Series (Spectator). Production: Ivan Scott. (1940-43.)

POLES WEIGH ANCHOR, THE (Concanen). Production: Derrick de Marney. Direction: Eugene Cekalski. (June, 1942.)

PROOF POSITIVE (British Movietonews). Production: Gerald Sanger. (October, 1942.)

R.A.F. IN ACTION (British Movietonews). Production: Gerald Sanger.
(January, I942.)
R.A.F. RESCUE BOATS (Colonial Film Unit). ( September,1942)

RAID ON FRANCE (Ealing). Production: Michael Balcon. Direction: Thorold
Dickinson. (Note.-This was an adaptation of Dickinson's Next Of Kin " and was not shown in Britain.) (1942.)

RAT DESTRUCTION (Rotha). Production: Paul Rotha. Associate producer: Bladon Peake. Direction : Budge Cooper. Photography: Peter Hennessy. Music: William AIwyn. (July, 1942.)

REPORT FROM BRITAIN (British Movictonews). Production: Gerald Sanger.
(Note.-Not shown in Britain.) (1942.)

RETURN OF THE EMPEROR (Colonial Film Unit). (December, 1942.)

RIGHT MAN, THE (Army Film Unit). Direction: Alex Bryce. (July, 1942.)

RUSH HOUR (20th Century-Fox). Production: Edward Black. Direction Anthony Asquith. (January, 1942.)

RUSSIAN LESSON (Strand). Production: Alexander Shaw. Direction: Ivan
Moffat. (Note.-Not shown in Britain.) (1942.)

SEAMAN FRANK GOES BACK TO SEA (Concanen). Production: Derrick de
Marney, for the National Savings Committee. Direction and photography:
Eugene Cekalski. Commentary: Terrence de Marney, Frank Laskier. (February, 1942.)

SEAMAN'S STORY (Realist). Direction: John Taylor, for the M.0.I. Photo-graphy : A. E. Jeakins. (1942.) 1 reel.

SELF-HELP IN FOOD (Colonial Film Unit). (February, 1942.)

SHOCK TROOPS (Spectator). (Note.-Not shown in Britain.) (I942.)

SIEGE OF TOBRUK (Army Film Unit). Production: Alex Bryce. Music
Richard Addinsell. (July, I942.)

SOLDIER'S COMFORTS FROM UGANDA (Colonial Film Unit). (February,
1942.)

SONG OF THE CLYDE (Merton Parlo. Direction and photography: James Rogers, for the British Council. (February, 1942.)

SPEED UP ON STIRLINGS (Shell). Production: Edgar Anstey. Direction
Grahame Tharp. Photography: Sidney Beadle. (November, 1942.)

SPRING ON THE FARM (Greenpark). Associate producer: Edgar Anstey.
Direction : Ralph Keene. Photography: Erwin Hillier. Music: William AIwyn . (November, 1942.) 15 minutes.

START A LAND CLUB (Films of Great Britain). Associate producer: Edgar Ansfey, for the Ministry of Agriculture. Direction : Andrew Buchanan. Photo-graphy: Charles Francis. (July, 1942.)

STORING VEGETABLES INDOORS (Realist). Production: Frank Sainsbury, for the Ministry of Agriculture. Direction : Margaret Thomson. Photography A. E. Jeakins. Commentary: Roy Hay. Music: Ernst Meyer. (May, 1942,.) 1 reel.

STORING VEGETABLES OUTDOORS (Realist). Production: Frank Sains-bury, for the Ministry of Agriculture. Direction : Margaret Thomson. Photo-
gra phy: A. E. Jeakins. Commentary: Roy Hay. Music: Ernst Meyer. (May, 1942.) 2 reels.

STREET FIGHTING (Army Film Unit). Direction: Hugh Stewart, Gerald Keen. (November, 1942.)

TAKE COVER (Colonial Film Unit). (December, 1942.)

TALE OF TWO CITIES (Crown). Production and compilation: John Monck.
Commentary: Colin Wills. (February, 1942.)

TEETH OF STEEL (Technique). Production: James Carr, for the British Council. Direction: Ronald Riley. Script: Maxwell Munden. Photography: Geoffrey Unsworth. (April, 1942.)

THAMESHAVEN FIRE. Produced by the London Fire Brigade. (September,
1942.)

THESE ARE AJ.S. AND W.R.N.S. (Colonial Film Unit). (June, 1942.)

THESE ARE BRITISH SOLDIERS (Colonial Film Unit). (April, 1942.)

THESE ARE MOBILE CANTEENS (Colonial Film Unit). (September, 1942.)

THEY KEEP THE WHEELS TURNING (G.B. Screen Services). Direction:
Francis Searle. Photography: Walter Harvey,. Sound : John Douglas. Editor: Enid Mansell. (August, 1942.)

THEY MET IN LONDON (Rotha-British Paramount News). Production: Paul 1 Rotha. Photography : Jack Harding. (January, 1942.)

THEY SERVE ABROAD (Army Film Unit). Direction: Roy Boulting. (Decem-ber, 1942.)

THEY SPEAK FOR THEMSELVES (Seven-League). Produced and written by Hans Nieter, Paul Rotha, Miles Malleson , Rex Warner. (August, 1942.)

THIS IS A FIREMAN (ColonialFilmUnit). (April, 1942.)

THIS IS COLOUR (Strand). Production: Basil Wright, for the Imperial Chemical Industries. Associate director: Jack Ellitt. Photography: Jack Cardiff. Commentary : Richard Addinsell, Dylan Thomas, Marjorie Fielding, Joseph Macleod, Valentine Dyall. (May, 1942.)

TROOPSHIP (Army Film Unit). Direction: Hugh Stewart, Tennyson d'Eyncourt. Music: RichardAddinsell. (July,1942.)

TWELVE DAYS (Merton Park). Direction : Cecil Musk, for the Ministry of Food. Photography: Alan Dinsdale. Script: Mary Benedetta. Sound: Charles Tasto Editor: Catherine Millar. (August, 1942.)

TWENTY-ONE MILES (Army Film Unit). Direction: Harry Watt. Commentary:Ed. Murrow. (August, 1942.)

UGANDA POLICE (Colonial Film Unit). (July, 1942.)

UNITED NATIONS, THE (Crown). Production: Ian Dalrymple. (August, 1942.)

UNSEEN VALLEY (Realist). Production: John Taylor, for St. Dunstan's.
Direction : Albert Pearl. Photography : A. E. Jeakins. (1942.) 1/2 reel.

VIA IMPERIAL (Strand). Direction: Desmond Dickinson. (April, 1942.)

VIA PERSIA (Army Film Unit). A library compilation by Jack Chambers. Pro- duction : Roy Boulting. (September, 1942.)

WALES (Strand). Production: Donald Taylor. Direction: John Eldridge. Photography : Jo Jago. Script and commentary : Dylan Thomas. Music
William Alwyn. (November, 1942.)

WAR IN THE EAST (Shell). (January, 1942.)

WATER (G.B. Instructional). Direction: Mary Field, for Imperial Chemical Industries. Photography : Jack Parker, Percy Smith. (June, 1942.)

WAVELL'S 30,000 (Army Film Unit and Crown). Production: Ian Dalrymple. Direction: John Monck. Music: John Greenwood. Commentary: Colin Wills. (March, 1942)

WAY TO PLOUGH, A (Verity). Production: Sydney, Box, James Carr, for the
Ministry of Agriculture. Direction and photography : Clifford Hornby. Editor: John Durst. Adviser: S. J. Wright. Commentary : Frederick Grisewood. (April, 1942.)

WE SAIL AT MIDNIGHT (Crown). Production: lan Dalrymple. Direction: Julian Spiro. Photography: H. E. Fowle. Music: Richard Addinsell. (Decem-ber, 1942.)

WE SPEAK T0 INDIA (Public Relationship). Direction: Richard Massingham Associate producer: Alexander Shaw. (Note.-Not shown in Britain.) (1942.)

WE SPEAK TO INDIA (Everyman). Associate producer: Alexander Shaw.Direction : Richard Massingham. Photography: Alex Strasser. Commentary: Z. Bokhari. (September, 1942.)

WESTERN ISLES (Merton Park). Direction: Terence Bishop, for the British Council. Photography: Jack Cardiff. Music: William Alwyn. Commentary: Joseph Macleod. (March, 1942).

WINTER ON THE FARM (Greenpark). Associate producer: Edgar Anstey.
Direction: Ralph Keene. Photography: Erwin Hillier. Music: William Alwyn.
Agricultural adviser : Ralph Wightman. (June, 1942.) I5 minutes.

WITH OUR AFRICAN TROOPS-ACTIVE SERVICE (Colonial Film Unit).
(February, 1942.)

WITH OUR AFRICAN TROOPS-EARLY TRAINING (Colonial Film Unit).
(February, 1942.)

WOMEN AWAY FROM HOME (Spectator). Production: Michael Hankinson. Direction : Gilbert Gunn. (September, 1942.)

WOOD FOR WAR (Canadian Army Film Unit). Direction: J. E. R. McDougal.
Photography: George Noble. (March, 1942.)

WORK PARTY (Realist). Production: John Taylor, for the M.0.I. Direction: Len Lye. Photography: A. E. Jeakins. Sound: Ernst Meyer. Assistant director : Albert Pearl. (June, 1942.) 1 reel.

W.V.S. (Verity). Direction: Louise Birt. Photography: George Plowman. Music: William Alwyn. (January, 1942.)

YOUNG FARMERS (Strand). Associate producer: Edgar Anstey. Direction: John Eldridge. Photography: Jo Jago. (December, 1942.)

YOUTH TAKES A HAND (Films of Great Britain). Production: Andrew
Buchanan, for the Ministry of Education. Direction: Henry Cooper. Photo-graphy : Chas. Francis. (January, 1942.)

1943

A.B.C.A. MAGAZINE, Nos. 1-7 (Technique). Production and direction Ronald Riley. Photography: Charles Marlborough. Music : William Alwyn. Commentary: Geoffrey Sumner. Script : Jack Saward. (1943.) 1 reel each.

ATLANTIC TRAWLER (Realist). Production: yohtj Taylor, for the M.0.I.
Direction: Frank Sainsbury. Photography: A. E. Jeakins, H. E. Fowle,
Cyril Phillips. Script: Frank Sainsbury. Commentary: W. Bland. (1943.) 2 reels.

AUTUMN ON THE FARM. (See " Crown Of The Year.")

BATTLE FOR MUSIC (Strand). Production: Donald Taylor. (1943.)

BEFORE THE RAID (Crown). Production: Ian Dalrymple. Direction: Jiri Weiss. Photography: Edwin Catford. (1943.)

BITER BIT, THE (Coombe). Production: Alexander Korda. (September,I943.)

BLIND PEOPLE (Colonial Film Unit). (1943.)

BOILERHOUSE PRACTICE (C.W.S.). Direction: George Wynn. (June, I943.)

BREATHING SPACE (Strand). Production: Alexander Shaw. Direction: Charles de Lautour. Photography : Charles Marlborough. Editor : Alan Osbiston.(1943.)

BRITAIN BEATS THE CLOCK (British Paramount News). Production: G. T.
Cummins. (Note.-Not shown in Britain.) (1943.)

BUTTERFLY BOMB (Verity). Direction: Dan Birt. (November, 1943.)

CANTEEN COMMAND (Spectator). Production: Michael Hankinson. Direc
tion: Gilbert Gunn. (November, 1943.)

CATERING (Spectator). Production: Michael Hankinson. Direction: Gilbert Gunn. (November, 1943.)

CEREAL SEED DISINFECTION (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Agriculture. Direction: Henry Cooper. Photography: Charles Francis. (1943.)

CHARLIE THE RASCAL (Colonial Film Unit). (1943.)

CHILDREN'S STORY (Strand). Production: Stuart Legg, for the Films of Scotland Committee. Direction : Alexander Shaw. (January, I943.)

CHINA (Rotha). Production: Donald Alexander. Direction: Budge Cooper.
(March, 1943.)

CINE-SPORTS MAGAZINE, Series (G.B.Screen Services). Nos. 1-20. (Note—Not shown in Britain) (1943-44.)

CIVIL DEFENCE AMBULANCE (G.B. Screen Services). Direction: Francis Searle. (January, 1943.)

CLEAN MILK (Realist). Production: Frank Sainsbury, for the Ministry of Agriculture. Direction : Margaret Thomson. Photography: A. E. Jeakins. Commentary : Finlay Currie. (February, 1943.) 2 reels.

CLOSE QUARTERS (Crown). Direction: Jack Lee. Photography: Jonah Jones. (1943.) 75 minutes.

COAL MINER (Strand). Production: Basil Wright. Direction: Charles de
Lautour. (September, I943.)

COLONIAL CENTRE (Colonial Film Unit). (1943.)

COME AGAIN (Crown). Direction: Ralph Elton. (1943.) (Note.-Not shown in Britain.)

COMMON CAUSE (Verity). Production: Maxwell Munden, Derrick de Marney. Direction: Henry Cass. Photography: Eric Cross. Editor: Peter Tanner. (February, 1943.)

CROWN OF THE YEAR, THE (Greenpark). Associate producer: Edgar Anstey. Direction: Ralph Keene. Photography : Raymond Elton, Erwin Hillier, Reginald Wyer. Music: Wm. Alwyn.(July, 1943.) 19 minutes.

DEBRIS CLEARANCE (Shell). Production: Edgar Anstey. Direction: A. Wommersley. (November, I943.)

DEBRIS TUNNELLING (Shell). Production: Edgar Anstey. Direction: Kay Mander. Photography: Wolfgang Suschitzky. (I943.)

DEFEAT TUBERCULOSIS (Seven-League). Associate producer: Paul Rotha. Direction : Hans Nieter. (September, 1943.)

DESERT VICTORY (Army Film Unit and R.A.F. Film Unit). Production: David Macdona!d. Direction: Roy Boulting. Commentary: James Lansdale Hodson. (February, 1943.) 60 minutes.

DOING WITHOUT (Spectator). Production: Michael Hankinson. Direction:
Gilbert Gunn. (Note.-Not shown in Britain.) (I943.)

DON'T NEGLECT YOUR BICYCLE (Colonial Film Unit). (I943.)

EGGS AND MILK (Films of Great Britain). Production: Andrew Buchanan,
for the Ministry of Food. Direction : Henry Cooper. Photography: Charles
Francis. (December, I943.)

FACE OF SCOTLAND (Realist). Direction: Basil Wright, for the Films of Scotland Committee. (January, I943.)

FACTORY FIREGUARD (G.B. Screen Services). Direction: Frank Cadman. (June, I943.)

FARMING IN RUSSIA (Colonial Film Unit). (1943.)

FEEDING YOUR HENS IN WARTIME (Films of Great Britain). Direction: Andrew Buchanan, for the Ministry of Agriculture. (January, 1943.)

FIRE-PLANNED (Verity). Production: Sydney Box. Direction: Louise Birt. (September, 1943.)

FIRES WERE STARTED (Crown). Production: Ian Dalrymple. Direction: Humphrey Jennings. Photography: C. Pennington-Richards. Settings: Edward Carrick. Music: William Alwyn. (1943.) 63 minutes.

FIRST DAY ON THE SPOT (G.B. Screen Scrvices). Direction: Francis Searle. (October, 1943.)

FLIGHT IN THE FUTURE (Films of Great Britain). Direction: Andrew
Buchanan. (1943.)

FLOATING MEN (Films of Great Britain). Production Andrew Buchannan for
the M.0.I. Direction: Henry Cooper. Photography: Chas. Francis. (Note.-
Not shown in Britain.) (1943.)

FREEDOM OF ABERFELDY, THE. (Alan Harper.) Production: Alan Harper. Photography: Henry Cooper. (February, 1943)

GARDEN GOES TO WAR, A (Plant Protection-G. B. Instructional). Direction: Darrell Catling. Commentary : E. V. Emmett. (February, I943.)

GARDEN TOOLS (Realist). Production : John Taylor, for the Ministry of Agriculture. Direction: Margaret Thomson. Associate producer : Edgar Anstey. Photography : Jack Harding, A. E.Jeakins. (January, 1943.) 1 reel.

GOOD HEALTH IN SCOTLAND (Scottish). Direction: Stanley Russell.
(December, 1943.)

GREEK TESTAMENT (Ealing). Production: Michael Balcon. Direction:
Charles Hasse. (1943.) Feature length.

GROWING GOOD POTATOES (Strand). Production: Donald Taylor, for the Plant Protection, Ltd. Direction: Ralph Bond. (1943.)

HELLO WEST INDIES (Rotha). Production: Donald Alexander. Direction: John Page. (Note.-Not shown in Britain.) (1943.)

HEROIC MALTA (Colonial Film Unit). (1943.)

INDIA (Colonial Film Unit). (1943)

IN THE DRINK (Nettlefold). Production: Ernest Roy. Direction: Harry
Hughes. (May, 1943.)

IN WHICH WE LIVE (Public Relationship). Production: Lewis Grant Wallace.
Director: Richard Massingham. (November, 1943.)

IT'S JUST THE WAY IT 1S (Two Cities). Direction: Leslie Fenton. (July,
1943.)

KATSINA TANK (Colonial Film Unit). (1943.)

KILL OR BE KILLED (Realist). Production: John Taylor, for the War Office.
Direction: Len Lye. Photography: A. E. Jeakins. Commentary: Marius Goring. (January, 1943.) 18 minutes.

KING AND HIS PEOPLE, THE (British Movietonews). Production: Gerald Sanger. (Note.-Not shown in Britain.) (1943.)

LAND AND WATER (Colonial Film Unit). (1943.)

LIFT YOUR HEAD, COMRADE (Spectator). Production: Basil Wright. Direction : Michael Hankinson. Script : Arthur Koestler. (January, 1943.)

LIFTING (C.W.S.). Direction: George Wynn. (December, 1943.)

LONDON, 1942 (Greenpark). Production: Ralph Keene, for the British Council. Direction: Kenneth Annakin. (February, 1943.)

MACHI GABA (Colonial Film Unit). (1943.)

MAKING GOOD HAY(Realist). Associate producer: Edgar Anstey. Production: John Taylor, for the Ministry of Agriculture. Direction: Margaret Thomson. Photography: A. E. Jeakins. Music: Ernst Meyer. Commentary: Roy Hay. (November, 1943.) 1 reel.

MAKING GRASS SILAGE (Realist). Associate producer: Edgar Anstey.
Production : John Taylor, for the Ministry of Agriculture. Direction : Margaret
Thomson. Photography: A. T. Jeakins. Music: Ernst Meyer. November,
1943). 1 reel.

MALTA CONVOY (British Movietonews). Production: Gerald Sanger. (Janu-
ary, 1943.)

MALTA G.C. (Army Film Unit, R.A.F. Film Unit and Crown Film Unit). Pro-duction: John Monck. Commentary: Laurence Olivier. Music: Arnold Bax. (January, 1943.)

MAN WOUNDED (Army Film Unit). Direction: Donald Bull. (December,
1943.)

MECHANICAL VULTURES (Films of Great Britain). Production : Andrew Buchanan, for the M.0.I. Direction : Henry Cooper, Charles Francis. (Note.-
This film was not shown in Britain.) (1943.)

MEN FROM THE SEA (Spectator). Direction: Gilbe;,t Gunn (August, 1943.)

MIDDLE EAST CARTOON, No. 1 (Halas-Batchelor). Production: John
Halas, Joy Batchelor. (Note.-Not shown in Britain.) (1943.)

MIDDLE-EAST CARTOON, No. 2 (Halas-Batchelor). Production: John
Halas, Joy Batchelor. (Note.-Not shown in Britain.) (1943.)

MILK PRODUCTION IN BRITAIN (Films of Great Britain). Direction: Andrew Buchanan. Associate producer: Edgar Anstey. (Note.-Not shown in Britain.) (1943.)

MOBILE LIBRARY (Colonial Film Unit). (1943.)

MOTIVE POWER (Film, of Great Britain). Production: Andrew Buchanan,
for the M.0.I. Direction. Henry Cooper. Photography: Charles Francis.
(Note.-Not shown in Britain.) (1943.)

NATIONS WITHIN A NATION (British Paramount News). Production: G. T. Cummins. (Note.-Not shown in Britain.) (1943.)

NEURO-PSYCHIATRY (Spectator). Production: Basil Wright. Direction: Michael Hankinson. (July, 1943.)

NEW ZEALAND HOME FRONT (Films of Great Britain). Production: Andrew
Buchanan, for the M.0.I. Direction : Henry Cooper. Photography : Charles
Francis. (Note.-Not shown in Britain.) (1943.)

NURSE ADEMOLA (Colonial Film Unit). (1943.)

OF ONE BLOOD (Seven-League). Direction : Hans Nieter. Associate producer: Paul Rotha. (November, 1943.)

ONE COMPANY (Gaumont British). Production: Edward Black. Direction:
John Harlow. (January, 1943.)

OPERATIONAL HEIGHTS (R.A.F. Film Unit). (March, 1943.) Feature
length.

ORDER OF LENIN (Spectator). Production: Michael Hankinson. Direction: Gilbert Gunn. (Note.-Not shown in Britain.) (1943.)

OUR FILM (Denham). (1943.) 15 minutes.

OVEN BOTTLING (Pathé). (December, 1943.)

P/0. PETER THOMAS (Colonial Film Unit). (1943.)

POTS AND PANS (Films of Great Britain). Production: Andrew Buchanan
for the Board of Trade. Direction : Henry Cooper. Photography: Charles Francis. (November, 1943.)

RADIO IN BATTLE (Shell). Production: Edgar Anstey. Direction: J. B.
Napier Bell. (June, 1943.)

RADIO REPORT (British Movie.onews). Production: Gerald Sanger. Dia-grams: W. Larkins. (Note.-Not shown in Britain.) (1943.)

REPORT FROM CHINA (British Movietonews). Production: Gerald Sanger. (Note.-Not shown in Britain.) (1943.)

RESEEDING FOR BETTER GRASS (Realist). Production: 7ohn Taylor, for Ministry of Agriculture. Associate producer : Edgar Anstey. Direction : Margaret Thomson. Photography: J. Edwell. Music: Ernst Meyer. Com-
mentary: Roy Hay. (November, 1943.) 1 reel.

RIDE WITH UNCLE JOE (Verity). Production: Maxwell Munden. Direction: Kenneth Annakin. (September, 1943.)

SALUTE TO THE RED ARMY (Newsreel Association). Edited by Spectator Films. (Note.-Not shown in Britain.) (1943.)

SAVE YOUR OWN SEEDS (Realist). Production. John Taylor, for the Ministry of Agriculture. Direction: Margaret Thomson. Photography: A. E. Jeakins. Commentary: Roy Hay. Music: Ernst Meyer. (June, I943.) 2 reels.

SEEDS AND SCIENCE (Strand). Production: Donald Taylor. Associate producer : Edgar Anstey. Direction : Alan Osbiston. (October, 1943.)

SILAGE (Realist). Direction: Margaret Thomson. Photography. A. E. Jeakins. (1943.)

SILENT VILLAGE, THE (Crown). Production and direction: Humphrey Jennings. Photography: H. E. Fowle. Editor: S. MacAllister. (September, 1943.) 36 minutes.

SIMPLE FRUIT PRUNING (Realist). Production: John Taylor, for the Ministry of Agriculture. Direction : Rosanne Hunter. Associate producer : Edgar Anstey. Photography: A. E. Yeakins. Commentary: A. G. Street. (December, 1943.) 2 reels.

SKY GIANT (British Movietonews). Production: Gerald Sanger. (January,
1943.)

START IN LIFE, A (Realist). Production: John Taylor, for the Ministry of
Health. Direction : Brian Smith. Photography : Gerald Gibbs. Script Albert Pearl. Music: Wm. AIwyn. Commentary: Albert Pearl, Ophelia Segreda. (1943.) 2 reels.

STEEL DHOWS (Films of Great Britain). Production: Andrew Buchanan, for M.0.I. Direction: Henry Cooper. Photography: Charles Francis. (Note.-
Not shown in Britain.) (1943.)

STOOKING AND STACKING (Realist). Production: .7ohn Taylor, for the Ministry of Agriculture. Direction: Rosanne Hunter. Photography: A. E. Jeakins. Commentary: Finlay Currie. (1943.) 2 reels.

SUBJECT FOR DISCUSSION (Seven-League). Direction: Vans Nieter. Photography : Wolfgang Suschitzky. Associate producer: Basil Wright. (March, 1943.)

SUMMER ON THE FARM (Verity-Greenpark). Associate producer: Edgar
Anstey. Direction: Ralph Keene. Photography : Ray Elton. Editor
Julian Wintle. Music: William Alwyn. (February, 1943.) I2 minutes.

SUPPLIES TO THE SOVIETS (Merlin). Production and direction: Michael
Hankinson. (1943.)

SURGERY IN CHEST DISEASE (G.B. Instructional). Direction: A. Reginald Dobson, for the British Council. Photography: Frank North. Script: Mary Cathcart Borer. Diagrams : H. L. Stringer. (1943.)

SURREY COMMERCIAL DOCKS FIRE. Produced by the London Fire
Brigade. (1943.)

TANK BATTLE (Army Film Unit). Direction: Gerald Keen. Commentary
Raymond Glendenning. (January, 1943.)

TECHNICAL EDUCATION (Films of Great Britain). Direction: Andrew
Buchanan. (1943.)

TECHNIQUE OF ANAESTHESIA, THE Series (Realist).
No.1. " Signs and Stages of Anaesthesia." Production John Taylor.
Direction: Margaret Thomson.
No. 2. " Open Drop Ether." Production : John Taylor. Direction Margaret Thomson.
No. 3. " Nitrous Oxide-Oxygen-Ether Anaesthesia. Production :   John
Taylor. Direction: Margaret Thomson.
No. 4. " The Carbon-Dioxide Absorption Technique." Production: Yohn
Taylor. Direction: Yvonne Fletcher.
No.5. " Endotracteal Anaesthesia." Production : John Taylor. Direction
Margaret Thomson.
No. 6. " Intravenous Anaesthesia, Part 1." Production   John Taylor.
Direction    Yvonne Fletcher.
No. 7. " Intravenous Anaesthesia, Part 2." Production John Taylor.
Direction    Yvonne Fletcher.
No. 8. " Spinal Anaesthesia." Production: John Taylor. Direction Yvonne Fletcher.
No. 9. "Resuscitation." Production: John Taylor. Direction: Rosanne
Hunter.
No. 10. "Operative Shock." Production: John Taylor. Direction: Rosanne
Hunter.
No. 11. "Handling and Care of the Patient." Production: John Taylor.
Direction :Rosanne Hunter.
(Note.-A.E.Jeakins was the cinematographer on each of the above.) (1943-44.) 3 reels each.

THESE ARE BRITISH SAILORS (Colonial Film Unit). (1943.)

THESE ARE THE MEN (Strand). Production: Donald Taylor. (March,
1943.)

THEY FLY BY NIGHT (British Movietonews). Production: Ge;,ald Sanger. (Note.-Not shown in Britain.) (I943.)

THEY MADE THE LAND (G.B. Instructional). Direction: Mary Field, for the Films of Scotland Committee. (January, 1943.)

THIS IS OUR HERITAGE (Tannar). Production: R. Calvert. (January, 1943.)

TIMBERMEN FROM HONDURAS (Colonial Film Unit). (1943.)

TURKISH AMBASSADOR'S VISIT (British Movietonews). Production: Gerald Sanger. (Note.-Not shown in Britain.) (1943.)

TURKISH HONOURED GUESTS (British Movietonews). Production: Gerald
Sanger. (Note.-Not shown in Britain.) (1943.)

TURKISH PRODUCTION MISSION (British Movietonews). Production:
Gerald Sanger. (Note.-Not shown in Britain.) (1943.)

UNTIL THE MORNING (Spectator). (Note.-Not shown in Britain.) (1943.)

UP PERISCOPE. (See " Close Quarters.")

VEGETABLE HARVEST (Rotha). Production: Paul Rotha. Associate pro-ducer : Edgar Anstey. Direction : John Page. (Note.-Not shown in Britain.)
(1943.)

VEGETABLE SEED GROWING (Strand). Production: Alexander Shaw. Direction : Peter Graham Scott. Associate producer: Edgar Anstey. (July, 1943.)

VICTORY OVER DARKNESS (Realist). Production: John Taylor, for St.
Dunstan's. Direction: Max Anderson. Photography: A. E. Jeakins. (1943.) 1/2 reel.

VOLUNTEER, THE (Archers). Written, produced and directed by Michnel
Powell, Emeric Pressburger. With Ralph Richardson, Pat McGrath. (September, 1943.)

WAR IN THE PACIFIC (Shell). Production: Edgar Anstey. Direction: Grahame Tharp. Animation: Francis Rodker. (May, 1943.)

WAR REVIEW, No. 1 (British Movietonews). Production: Gerald Sanger.
(May, 1943.)

WAR-REVIEW, No. 2 (British Movietonews). Production: Gerald Sanger.
(July, 1943.)

WARTIME SHIPMENT OF PACKED PETROLEUM (Shell). Production: Edgar Anstey. Direction : J. B. Napier Bell. (September, 1943.)

WE WANT RUBBER (Colonial Film Unit). (1943.)

WEALTH OF A NATION (Scottish). Production: Stuart Legg, for the Films of Scotland Committee. Direction : Donald Alexander. (January, 1943.)

WELCOME TO BRITAIN (Strand). Production: Arthur Elton. Associate producer : St. John Legh Clowes. Direction : Anthony Asquith. Photography Jo Jago. With Burgess Meredith, Carla Lehmann, Beatrice Lillie, Bob Hope, Felix Aylmer. (I943.)

WELDING AGRICULTURAL MACHINERY (Films of Great Britain). Direc-tion: Andrew Buchanan. (1943.)

WELDING HELPS THE FARMER (Films of Great Britain). Direction: Andrew Buchanan. Associate producer: Edgar Anstey. (October, 1943.)

WHEN WE BUILD AGAIN (Strand). Direction: Ralph Bond, for Cadbury. Photography : Charles Marlborough. (February, 1943.)

WINTER WORK IN THE GARDEN (Realist). Production: John Taylor, for the Ministry of Agriculture. Associate producer : Edgar Anstey. Direction Albert Pearl. Photography : Cyril Philips (October, 1943.) 1 reel.

WOMEN OF BRITAIN (Spectator). (Note.-Not shown in Britain.) (1943.)

WORDS AND ACTIONS (Realist). Production: John Taylor, for the British Commercial Gas Association. Direction: Max Anderson. Photography: A. E. Jeakins. Script: Frank Sainsbury, John Taylor. Commentary: Colin Wills. (1943.) 2 reels.

WORKER'S WEEK-END (Crown). Photography: Ralph Elton.(1943.)

WORLD OF PLENTY (Rotha). Production and direction: Paul Rotha. Associate director: Yvonne Fletcher. Script: Paul Rotha, Eric Knight, Miles Malleson. (1943.) 46 minutes.

YOUTH (Verity). (Note.-Not shown in Britain.) (1943.)

1944

ACCIDENT SERVICE (G.B.I.). Direction: A. R. Dobson, for the British Council. Photography: Frank North. (I944.)

AFRICA'S FIGHTING MEN (Colonial Film Unit). (1944.)

BACK TO NORMAL (Merlin). Production: Roger McDougall. (October,
1944.)

BIG PACK, THE (R.A.F. Film Unit). Music: Gordon Jacob. (I944.)

BRITISH FAMILY IN PEACE AND WAR (Colonial Film Unit). (I944.)

BROWNED OFF (Strand). Production : Donald Taylor. With Jenny Laird, John Martin. (I944.)

CAMBRIDGE (Everyman). Production: Lewis Grant Wallace, for the
British Council. Direction: Richard Massingham. Photography: Alex Strasser. (1944.)

CAMERAMEN AT WAR (Realist). Production: John Taylor, for the M.0.1. Direction: Len Lye. Commentary: Raymond Glendenning. Music: Ernest Meyer. (1944.)1 reel.

CATHOLICS IN BRITAIN (Verity. Production: Sydney Box. Direction:
Henry Cass. (Note.-Not shown in Britain.) (I944.)

CHECKMATE (Merton Park). Production: Frank Hoare. Direction: Harold Purcell. (Note.-Not shown in Britain.) (I944.)

CHILDREN OF THE CITY (Rotha). Production: Paul Rotha, for the Scottish Education Department. Direction: Budge Cooper. Photography: Wolfgang Suschitzky. (July, 1944.) 32 minutes.

CHINESE IN BRITAIN (Strand). Production: Dotiald Taylor. Direction: C. Heck. (Note.-Not shown in Britain.) (1944.)

CHINESE MISSION TO BRITAIN (British Movietonews). Production: Gerald Sanger. (Note.-Not shown in Britain.) (1944.)

CINE-SPORTS MAGAZINE, Series (G.B.Screen Services). Nos. 1-20. (Note—Not shown in Britain) (1943-44.)

CITIZENS OF TOMORROW (Realist). Production : John Taylor. Direction:Brian Smith (January, 1944.)

CITY REBORN, A (Gryphon). Production: Donald Taylor. Direction: John
Eldridge. (June, I944.)

CLYDE-BUILT (Spectator). Direction: Robin Carruthers. Photography: A. H.Luff. (1944.)

COMBINED CADETS (Greenpark). Direction: Kenneth Annakin. (1944.)

CONQUEST OF A GERM (Gryphon). Production: Donald Taylor. Direction: John Eldridge. Photography: Jo Jago, Gerald Gibbs. (June, 1944.) 16 minutes.

CORNISH VALLEY (Greenpark). Associate producer: Edgar Anstey, for the Ministry of Agriculture. Direction : Ralph Keene. Photography : Peter Hennessy.(1944.) 17 minutes.

COSSACK HORSEMAN (Colonial Film Unit). (1944.)

COTSWOLD CLUB (Strand). Associate producers: Edgar Anstey, Donald Taylor. Direction : Charles de Lautour. Photographer: Cyril Arapoff. (1944.)

CROFTERS (Greenpark). Associate producer: Edgar Anstey, for the Ministry of Agriculture. Direction : Ralph Keene. Photography: Peter Hennessy. Music: Dennis Blood. (1944.) 24 minutes.

DANGER AREA (Verity). Production: Sydney Box. Direction: Henry Cass. Script: Inez Holden. Photography: Ray Elton. (1944.)

DATE WITH A TANK, A (Army Film Unit). Direction: Donald Bull. (July,1944.) I5 minutes.

DUKE OF GLOUCESTER (British Movietonenews). Production: Gerald Sanger. (August, 1944.)

EVE OF BATTLE (Army Film Unit). Production: David Macdonald. (June, 1944.)

FARM IS RECLAIMED, A (Campbell-Harper). Direction: Alan Harper, for the Scottish Department of Agriculture. (I944.)

FLAX (Strand). Production and direction: Donald Taylor. (June, 1944)

FUEL FOR BATTLE (Strand). Production: Donald Taylor. Direction: John Eldridge. (September, I944.)

GERMANS IN NORWAY (Colonial Film Unit). (1944.)
GRASS AND CLOVER SEED PRODUCTION (Strand). Associate producer:
Edgar Anstey. (March, 1944.)

GRASSY SHIRES, THE (Greenpark-). Production: Edgar Anstey. Direction.
Ralph Keene. Photography: Peter Hennessy. Music: William Alwyn. (1944.)

GREAT CIRCLE (Shell). Production: Edgar Anstey. Direction: J. B. Napier Bell. (July, 1944.)

HARBOUR GOES TO FRANCE, A (Army Film Unit and Admiralty Film Unit). Production: David Macdonald. Music: Christian Daunton. (December, 1944.) 15 minutes.

HIGHLAND DOCTOR (Rotha). Production: Paul Rotha. Direction: Kay Mander. Photography: Edwin Catford. Music: Ian Whyte. (1944.)

HOW TO BAKE (Films of Great Britain). Production: Andrew Buchanan,
for the Ministry of Food. Direction : Henry Cooper. Photography : Charles Francis. (September, 1944.) 10 minutes.

HOW TO BOIL (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction: Henry Cooper. Photography: Charles Francis. (September, 1944.) 11minutes.

HOW TO COOK GREEN VEGETABLES (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photo-graphy : Charles Francis. (Septe'niber, 1944.) 10 minutes.

HOW TO FRY (Films of Great Britain). Production: Andrezv Buchatian, for the Ministry of Food. Direction : Henry Cooper. Photography: Charles Francis. (September, 1944.) 10 minutes.

HOW TO MAKE SHORT PASTRY (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photo-graphy: Charles Francis. (September, 1944.) 10 minutes.

HUNDRED YEARS OLD, A (G.B. Instructional). Direction: Brian Salt. (September, 1944.)

JIG-SAW (Verity). Direction : Henry Cass. (July, I944.)

LATIN AMERICANS IN ENGLAND (British Paramount News). (Note.-Not shown in Britain.) (1944.)

LEFT OF THE LINE (Army Film Unit and Canadian Army Film Unit). Pro-duction: David Macdonald. Music: Hubert Clifford. (December, 1944.) 26 minutes.

LIFE SAVING AT SEA (Films of Great Britain). Production: Andrew Buchanan for the Ministry of Transport. Direction : Henry Cooper. Photography : Charles Francis. (December, 1944.)

LILI MARLENE (See " The True Story of Lili Marlene.")

MANPOWER (Strand). Production : Alexander Shaw,. (January, 1944.)

MARGARINE (Colonial Film Unit). (1944.)

MEN OF ROCHDALE (Verity). Production: Sydney, Box, for the Scottish C.W.S. Direction : Compton Bennett. Photography: Reginald Wyer. Script:
Reg Groves. Music: Yohn Greenwood. With Cecil Brock, Jill Evans. (1944.) Feature length.

NAPLES IS A BATTLEFIELD (Army Film Unit and R.A.F. Film Unit). (1944.)
15 Minutes.

NEW BUILDERS (Rotha). Production: Paul Rotha. Direction: Kay Mander. Photographv : Wolfgang Suschitzky. (1944.)

NEW CROP, THE (Greenpark). Associate producer: Edgar Anstey.
Direction Kenneth Annakin. Photography: Geoffrey Williams. (1944.)

NIGHT FLIGHT (R.A.F. Film Unit). (October, 1944.)

ONE MAN, TWO JOBS (British Movietonews). Production: Gerald Sanger. (April, 1944.)

OUR COUNTRY (Strand). Production: Alexander Shaw, for the M.0.1.
Direction : John Eldridge. Photography: Jo Jago. Script and commentary-Dylan Thomas. Music: William Alwyn. (1944.) 44 minutes.

OUTWORKING (Strand). Production: Michael Hankinson. Direction: Gilbert
Gunn. (October, 1944.)

PATCHING AND DARNING (Films of Great Britain). Direction: Andrew
Buchanan. (February, 1944.)

PELL MELL BREAKWATER BLOCK (Realist). Production: John Taylor,
for John Mowlem Co. Direction and photography: Alex Stresser. (1944.)
1 reel.

POTATO BLIGHT (Realist). Production: John Taylor, for the Ministry of Agriculture. Direction : Rosanne Hunter. Associate producer : Edgar Ansley. Photography: Cyril Phillips. (March, 1944.) 1 reels.

POWER FOR THE HIGHLANDS (Rotha). Production: Paul Rotha. Direc-tion : Jack Chambers. Script: Roger McDougall. Photography: Wolfgang Suschitzky. Music: Ian Whyte. (1944.) 15 minutes.

PROGRESS IN THE COLONIES Series (Colonial Film Unit). No. 1, Kenya. (1944.)

RATIONING IN BRITAIN (World Wide). Production: Ralph Bond. Direc-tion : Graham Cutts. (Note.-Not shown in Britain.) (1944.)

R.E.M.E. (Army Film Unit). Editor: R. Verrall. (August, 1944.)

RESCUE RECONNAISSANCE (Shell). Production : Edgar Anstey, for the
Ministry of Home Security. Direction: Grahame Tharp. Photography: Sidney
Beadle. Assistant director : Lionel Cole. (1944.)

RESUSCITATION (Realist). Production: John Taylor, for I.C.I. Direction Rosanne Hunter. Photography : A. E. Jeakins. (1944.) 2 reels.

SAM THE CYCLIST (Colonial Film Unit). (1944.)

SHIP AGAINST PLANE (British Movietonews). Production: Gerald Sanger.
(Note.-Not shown in Britain.) (1944.)

SIGNS AND STAGES (Realist). Production: John Taylor, for I.C.I. Direction Margaret Thomson. Photography: A. E. Jeakins. (1944.) 3 reels.

SOLDIER-SAILOR (Realist). Production: John Taylor, for the M.0. I. Direc-tion : Alexander Shaw. Photography: A. E. Jeahins, Ray Elton. Script: Frank Launder. Music: William Alwyn. With Rosamund John, Jean Kent, Charles Victor, Jean Cadell. (1944.) 4 reels.

SOME LIKE IT ROUGH (Public Relationship). Production: Lewis Grant Wallace. Direction: Richard Massingham. With John Sweet. Commentary
written by Nicholas Bentley, and spoken by Jack Buchanan. (1944.) 14 minutes.

SOUTH AFRICA (Crown). (January, 1944.)

SOVIET VILLAGE (Rotha). Production: Paul Rotha. (October, I944.)

SPORT (Strand). Direction: Ralph Bond. (January, 1944.)

SPRINGTIME IN AN ENGLISH VILLAGE (Colonial Film Unit). (1944.)

STEAM UTILISATION (C.W.S.). Direction: George Wynn. (October, 1944.)

STUDENT NURSE (G.B. Screen Services). Direction: Francis Searle, for the British Council. Photography: Brendan Stafford. (1944.)

TECHNIQUE OF ANAESTHESIA, THE Series (Realist).
No.1. " Signs and Stages of Anaesthesia." Production John Taylor.
Direction: Margaret Thomson.
No. 2. " Open Drop Ether." Production : John Taylor. Direction Margaret Thomson.
No. 3. " Nitrous Oxide-Oxygen-Ether Anaesthesia. Production :   John
Taylor. Direction: Margaret Thomson.
No. 4. " The Carbon-Dioxide Absorption Technique." Production: Yohn
Taylor. Direction: Yvonne Fletcher.
No.5. " Endotracteal Anaesthesia." Production : John Taylor. Direction
Margaret Thomson.
No. 6. " Intravenous Anaesthesia, Part 1." Production   John Taylor.
Direction    Yvonne Fletcher.
No. 7. " Intravenous Anaesthesia, Part 2." Production John Taylor.
Direction    Yvonne Fletcher.
No. 8. " Spinal Anaesthesia." Production: John Taylor. Direction Yvonne Fletcher.
No. 9. "Resuscitation." Production:John Taylor. Direction: Rosanne
Hunter.
No. 10. "Operative Shock." Production: John Taylor. Direction: Rosanne
Hunter.
No. 11. "Handling and Care of the Patient." Production: John Taylor.
Direction :Rosanne Hunter.
(Note.-A.E.Jeakins was the cinematographer on each of the above.) (1943-44.) 3 reels each.

THERE'S A FUTURE IN IT (Strand). Production and direction: Leslie Fenton. With Ann Dvorak, Barry Morse, Len and Bill Lowe. (January, 1944.)

TRANSATLANTIC AIRPORT (Crown). Direction: Michael Gordon. Photo graphy: Fred Gamage. Sound: Ken Cameron. (1944.)

TRUE STORY OF LILI MARLENE, THE (Crown). Production: J. B.
Holmes. Direction: Humphrey Jennings. With Marius Goring, Lucie Mannheim. (August, 1944.)

TUNISIAN VICTORY (Army Film Unit and American Army Film Unit). Pro-
duction: Hugh Stewart, Roy Boulting, Frank Capra. Commentary: Bernard
Miles, Burgess Meredith. (1944.) 79 minutes.

TWO FATHERS (Crown). Production: Arthur Elton. Direction: Anthony Asquith. (1944.)

TWO GOOD FAIRIES (Norman). Direction: Germain Burger, for C.W.S. Photography: Jack Rose. (1944.)

TYNESIDE STORY (Spectator). Production: Michael Hankinson. Direction: Gilbert Gunn. (January, 1944.)

V.1. (Crown) Production : Humphrey Jennings. (1944.)

WAR ON WHEELS (World Wide). Production: Ralph Bond. Direction:
Ken Hughes. (July, 1944.)

WEST AFRICAN EDITORS (Colonial Film Unit). (1944.)

WEST INDIES CALLING (Paul Rotha). Production: Donald Alexander.
Direction: John Page. (March, 1944).

WEST INDIES JOIN THE R.A.F. (Colonial Film Unit). (1944.)

WESTERN APPROACHES (Crown). Production: Ian Dalrymple. Direction: Pat Jackson. Photography: Jack Cardiff. Music: Clifton Parker. (November, 1944.) 83 minutes.

WILLING HANDS (World Wide). Production: James Carr. Direction:
Mary Francis. (October, 1944.)

YOUR CHILDREN'S EYES (Realist). Production: John Taylor, for M.O.I. Direction and photography: Alex Strasser. Music. William Alwyn. Com-mentary : Carleton Hobbs, (1944.) 3 reels.

YOUR PEOPLE IN BRITAIN (Colonial Film Unit). (1944.)

1945

AIR PLAN, THE (R.A.F. Film Unit). (July, 1945.)

AIR TRANSPORT SUPPORT (World Wide). Production: Hindle Edgar, for Army Kinematograph Corporation. Direction: Graham Cutts, Clifford Dyment. Photography : Geoffrey Williams, Ronald Anscombe. (1945.) (Note:-This film is made in 3 parts-"The Army Goes By Air," "Tactical Loading" and "Strategic Loading," and is 25 reels in length.)

BAILEY BRIDGE (Merlin). Production: Michael Hankinson. Direction: Arthur Barnes. (I945.)

BIRTHDAY (Data). Production: Donald Alexander. Direction: Budge Cooper. Photography: Wolfgang Suschitzky. (1945.)

BOMB REPAIR SPEEDED UP (British Paramount News). Production: G. T.
Cummins. (Note.-Not shown in Britain.) (I945.)

BROAD FOURTEENS, THE (Crown). Production: J. B. Holnies. Direction: Richard McNaughton. (August, 1945.)

BROKEN DYKES (M.0.I. and Netherlands Government). Direction: John Ferno. (August, 1945.)

BURMA VICTORY (Army Film Unit). Production . David Macdonald, Roy Boulting. (1945.) 60 minutes.

BURNING QUESTION,THE (WorldWide). Production: RalphBondforthe Ministry of Fuel and Power. Direction: Ken Hughes. Photography: Geoffrey
Williams. With Gillie Potter, Marianne Stone. (1945.) 35 minutes.

CENTRAL FRONT,BURMA (Gryphon). (December,1945.)

CHEMISTS AT WORK (Verity). (1945.)

CHILDREN'S CHARTER (Crown). Direction: Gerard Bryant. Photography: Jonah Jones, H. E. Fowle. (1945.)

DEEP PAN BOTTLING (Films of Great Britain). Production: Andew Buchanan, for the Ministry of Food. Direction: Henry Cooper. Photography: Charles Francis. (March, 1945.) 10 minutes.

DIARY FOR TIMOTHY (Crown). Production: Basil Wright. Direction: Humphrey Jennings. Photography: Fred Gamage. Commentary: E.M.Forster. Music: Richard Addinsell. (1945.)

DOMINION STATUS (British Paramount News). Production: G. T. Cummins.
(December, 1945.)

EIGHTH PLAGUE (Crown). (February, 1945.)

EIGHTY DAYS, THE (Crown). Production and direction: Humphrey Jennings. (January, 1945.) I4 minutes.

FARM WORK (Crown). Production: Basil Wright. Direction: Michael Gordon
(September, 1945.)

FARM WORKER (Crown). Produced for the Department of Agriculture.(1945.)

FARMER'S BOY (Greenpark). Produced for the British Council. Direction:
Peter Price. (1945.)

FATHER AND SON (Crown). Direction and photography: Leon Schauder. (1945.)

FENLANDS (Greenpark). Direction: Kenneth Annakin. Photography: Peter Hennessy. (1945.)

IJI RETURN (New Realm). Production: Sylvia Cummins. (April,1945.)

FRAME CONCRETE, HOUSING (Verity). (March, 1945)

FRENCH TOWN, SEPTEMBER 1944. (Realist). Production: John Taylor for the M.O.I. Direction: Alexander Shaw. Photography: A.E.Jeakins. Music: Willaim Alwyn. Commentary: Cedric Hardwicke. (1945.) 1 reel.

HANDLING SHIPS (Halas-Batchelor). Production: John Halas, Joy Batchelor, for the Admiralty. (1945.)

HEIR TO THE THRONE (British Movietonews). Production: Gerald Sanger.
(1945.)

HOMES FOR THE PEOPLE (Basic). Production: R. K. Neilson Baxter.
Direction: Kay Mander, for the " Daily Herald." Photography: Pat Gay.
(I945.) 3 reels.

HOUSING IN SCOTLAND (Merlin). Direction: Gilbert Gunn. (January, 1945.)

HOW A CAR ENGINE WORKS (Verity). Produced for Ford Motor Company. Direction: Maxwell Munden. Animation: Theodore Thumwood. (1945.)

JOHNNY GURKHA (Crown). (December, 1945.)

JOURNEY TOGETHER (R.A.F. Film Unit). Production and direction:
John Boultiiig. With Richard Attenborough, Edward G. Robinson, Jack Watling, John Justin, Sebastian Shaw,Rex Harrison, Bessie Love, Sheila Sim, David Tomlinson. (1945.) Feature length.

KEEP DEATH OFF THE ROAD (Horizon). Production: Maxwell Munden. (1945.)

KILLING RATS(Crown). Direction: Graham Wallace. (1945.)

LAND OF PROMISE (Films of Fact). Production and direction: Paul Rotha. Associate producer: Francis Gysin. Photography: Harold Young, Peter Hennessy, Reginald Wyer, Cyril Arapoff. Script: Miles Tomalin, Miles Malleson, Wolfgang Wilhelm, Ara Calder-Marshall. Music: William Alwyn. With John Mills. (1945.)

LATIN AMERICAN RAW MATERIALS (Merlin). Production and direction: Michael Hankinson. (Note.-Not shown in Britain.) (1945.)

LET'S SEE (Merton). Produced for the British Council. (1945.)

LETTER FROM ALDERSHOT (Realist). Direction: John Taylor. (October,
1940.)

MAKE FRUITFUL THE LAND (Greenpark). Produced for the British Council. Diagrams: W. M. Larkins. (1945.)

MAMPRUSI VILLAGE, A (Page). Direction: John Page. (1945.)

MAXIMUM EFFORT (Merlin). Direction: Michael Hankinson, (February,
1945.)

NEAR HOME (Basic). Production: R. K. Neilson Baxter, for the Ministry of Education. Director. Kay Mander. (1945.) 3 reels.

NECESSARY JOURNEY (Seven -League). Direction. Hans Nieter. (March,
1945.)

NIGHT AND DAY (Gryphon). Direction: Jiri Weiss. (April, 1945.)

NINE HUNDRED, THE (R.A.F. and Army Film Units). Photography: Francis Burgess. (1945.) 19 minutes.

OUR ENEMY-JAPAN (World Wide). (1945.)

OUTDOOR TOMATO GROWING (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Agriculture. Direction: Henry Cooper.
Photography: Charles Francis. (April, 1945.)

PACIFIC THRUST (Verity). Direction: Kenneth Annakin. (February, 1945.)

PAINTED BOATS (EaIing). Production: Michael Balcon. Direction: Charles Crichton. Photography: Douglas Slocomb,. With Jenny Laird, Harry Fowler, Robert Griffith, May Hallatt. (1945.) Feature length.

PAPWORTH VILLAGE SETTLEMENT (World Wide). Produced for the British Council. Direction : James Carr. (1945.)

PARTNERS (Crown). (" Know the Commonwealth " Series, No. 4.) (Novem-ber, 1945.)

PATIENTS ARE IN (Crown). Production: Basil Wright. Direction : Peter Bolton. (1945.)

PENICILLIN (Realist). Production: John, Taylor, for the I.C.I. Direction
Alexander Shaw, Kay Mander. (1945).

PERSONNEL SELECTION IN THE BRITISH ARMY: RECRUITS (Shell). Direction: Geoffrey Bell . (1945.)

PLAN AND THE PEOPLE, THE (Realist). Production: John Taylor, for the M.0.1I Direction : Frank Sainsbury. Photography: A. E. Jeakins. With Alfred Bass, Neville Mapp. (1945.) 2 reels.

PORTUGUESE AMBASSADOR'S TOUR (Film Traders). Direction: George Hoellering. (1945.)

PROUD CITY, THE (Greenpark). Production: Edgar Anstey. Direction: Ralph Keene. (1945.)

PUT YOURSELF IN HIS SHOES (Data). Production: Arthur Elton. Direc-
tion : Jack Chambers. (October, 1945.)

RESIDENT MINISTER IN BRITISH WEST AFRICA (Taurus). Production
and direction : John Page. (1945.)

RETURN OF THE VIKINGS (Ealing). Production: Michael Balcon. Direc-
tion : Charles Frend. (1945.) Feature length.

SISAL. Direction: Kingston Davies. (March, 1945.)

SOIL EROSION (Information Films of India). Production : Esra Mir. Direc-tion: Kenneth Villiers. (1945.)

SOLDIER COMES HOME, A (Gryphon). (1945.)

SONG OF THE PEOPLE(Horizon). Production and direction: Maxwell Munden, for the C.W.S. Script: Maxwell Munden, Paul Potts, Music: Mischa Spoliansky.(1945.)

SOUTHERN RHODESIA (Crown). Production and direction: Basil Wright. (" Know The Commonwealth " Series, No. 5.) (1945.)

STAR IN THE SAND (Merlin). Direction: Gilbert Gunn. Photography:
Cyril Bristow. Script: Arthur Calder-Marshall. Music: Ivor Walsworth.
Editors: Robert Kempton, Patricia Murray. (1945.)

STEEL (Technique). Production and direction: Ronald Riley, for the British Council. Photography: Jack Cardiff. (1945.)

STORY OF MONEY, THE (Gryphon). Production: Donald Taylor, for the Banking Information Service. Direction : Charles de Lautour. Photography : Charles Marlborough. (1945.)

SUBJECT DISCUSSED (Gryphon). Production: Donald Taylor. Direction:
Charles de Lautour. (January, 1945.)

THIS WAS JAPAN (Crown). Production and direction: Basil Wright. (Septem-
ber, 1945.)

THREE CADETS (Greenpark). Production: Ralph Keene. Direction : Ken
Annakin. (January, 1945.)

TIME AND TIDE (Rotha). Production: Paul Rotha. Direction: Jack Eldridge.
(1945.)

TOTAL WAR IN BRITAIN (Films of Fact). Produced and edited by Paul
Rotha, Michael Orrom. Script: Miles Tomalin, Ritchie Calder. Commentary:
John Mills. Diagrams: Isotype. Music: William Alwyn. (1945.)

TRACTOR ENGINE OVERHAUL (Films of Great Britain). Production and direction : Andrew Buchanan, for the Ministry of Agriculture. Photography:
Charles Francis. (October, 1945.)

TRAINING IN MECHANISED MINING (Films of Great Britain). Production
and direction : Andrew Buchanan. (September, 1945.)

TRUE GLORY, THE (Army Film Unit and American Army Film Unit).
Direction: Carol Reed, Garson Kanin. Music: William Alwyn. (August, 1945.)
84 minutes.

UNITY IS STRENGTH (World Wide). Production and direction : Ralph Bond, for the Amalgamated Engineering Union. Photography: Geoffrey Williams. Script: Ted Willis. With John Slater, Allan Jeayes, Peter Noble, Maureen Glynne, Antony Verney. (1945.)

UNRELENTING STRUGGLE (Crown). Production and direction:
Basil Wright. (1945.)

U.S.A. (Films of Fact). Production and direction: Paul Rotha. ( March, 1945)

YOUR CHILDREN'S EARS (Realist). Production: Margaret Thomson, for M.0.I. Direction: Albert Pearl. Photography: Alex Strasser. Music: William Alwyn. Commentary: Carleton Hobbs. (1945.) 2 reels.

YOUR CHILDREN'S TEETH (Realist). Production: Margaret Thomson, for M.0.I. Direction: Jane Massy. Photography: A. E. Jeakins. Music: William Alwyn. Commentary: Carleton Hobbs.(1945.) 2 reels.

1946

ACTIONS-NOT WORDS (Selwyn). Production: C. A. Radley. Direction: N. F. Spurr. (1946.) 25 minutes.

ARCTIC HARVEST (G.B. Instructional). Production: Frank Wells, for British Cod Liver Oil Co. Direction: Lewis Gilbert. (1946.) 33 minutes.

ARMAMENT IN ACTION (G.B. Instructional). Production : Frank Cadman, for the Admiralty. Direction : Gaston Charpentier. (1946.) 33 minutes.

ARTIFICIAL PNEUMOTHORAX (G.B. Instructional). Production : Frank Cadman, for the British Council. Direction : C. Hudson. (1946.) 22 minutes.

AS OTHERS SEE US (Merlin). Production : Michael Hankinson, for the Ministry of Labour. Direction: Roger McDotigall. (September, 1946.) 20 minutes.

AUSTRALIANS IN LONDON, THE (Crown). Production: Alexander Shaw.
Direction : Colin Dean. (1946.) 11 1/2 minutes.

BEACH RECOVERY (World Wide). Production: James Carr, for Directorate of Army Kinematography. Direction: Ken Hughes. Photography: Geoffrey Williams. (I946.) (Note.-Made in 17 reels, lasting 140 minutes.)

BEGINNING OF HISTORY (Crown). Production: Basil Wright, for the Ministry of Education. Associate producer : Edgar Anstey. Direction : Graham Wallace. (October, I946.) 47 1/2 minutes.

BIG FOUR, THE (" What To Eat ") (Larkins). Production: W. W. Larkins, for the Ministry of Food. (1946.) 91 minutes.

BIRDS OF THE VILLAGE (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Agriculture and Fisheries. Associate producer : Edgar Anstey. Direction: Eric Hosking. Photography: Charles Francis. (August, 1946.) 18 minutes.

BOMBED SITES (G.B. Instructional). Production: Frank Wells. Direction:
T. James. (1946.) 22 minutes.

BUILDING BELOW GROUND (Analysis). Production and direction: W. M.Carter, H. C. Stobbart, G. J. Hancock, for Natural Asphalte Mine-owners and Manufacturers' Council. (1946.) 16 minutes.

B.W.D.("Diseases In Poultry") (Films of Great Britain). Production and direction: Andrew Buchanan, for the Ministry of Agriculture. Associate Producer: Edgar Anstey. (1946.) 16 minutes.

CABLE JOINTING (Films of Great Britain). Production: Andrew Buchanan, for General Post Office. Direction: Henry Cooper. Photography: Charles V. Francis. (1946.) 18 minutes.

CALLING ALL DRIVERS (Horizon). Production: Maxwell Munden, for the Royal Society for the Prevention of Accidents. Direction : Erik Cripps. Photo-graphy: Alvin Willis. Script: Maxwell Munden, Cyril Roberts. Commentary: Bud Riley. (I946.) (Note.-Made in 3 parts: 15 minutes, 10 minutes and 91 minutes.)

CAMBRIAN COAST (G.B. Instructional). Production: Frank Cadman, for Great Western Railway. (1946.) 11 minutes.

CANTEEN AT WORK (Wallace). Production: A. V. Curtrie, for S. H. Benson, Ltd. Direction: Donald RaztIiiigs. Photography: J. Ewins. (1946.) 16 minutes.

CARDIAC AND RESPIRATORY ARREST (Realist). Production: John Taylor. Direction : Rosanne Hunter. Photography : A. E. Jeakins. CARDOX (United Motion Pictures). Production and direction: Edward Davey, for Cardox (Gt. Britain), Ltd. (1946.) 11 minutes.

CAR IS BORN, A (G.B. Instructional). Production: Frank Cadman, for Austin Motors. Direction and photography : Brendan Stafford. (1946.) 22 minutes.

CASTING IN STEEL AT WILSON'S FORGE (Basic). Production: R. K.
Neilson Baxter, for the Ministry of Education. Associate producer : Edgar Anstey. Direction: R. K. Neilson Baxter. (1946.) 1 reel.

CHANNEL ISLANDS (Crown). Production: Basil Wright. Direction: Gerard Bryant. Photography : Jonah Jones. (1946.)

CHILDREN ON TRIAL (Crown). Production: Basil Wright. Direction: Jack Lee. Photography: H. E. Fowle. With Julia Lang, Mary MacKenzie, Charles Kormos. (1946.) 62 minutes.

CINE-PANORAMA (Basic). Production: R. K. Neilson Baxter, for the Ministry of Education. Associate producer: Edgar Anstey. Direction: Kay Mander. (1946)

CIVIL ENGINEERING (Realist). Production: John Taylor, for the Ministry of Labour. Direction : Alexander Shaw, AIarion Grierson, John Eldridge. Photo-graphy: Geoffrey Williams, J. Curtis. Commentary: Valentine Dyall. (October, 1946.) 14 minutes.

CLEAN FARMING (Campbell-Harper). Production and direction: Alan Harper, for the Department of Agriculture for Scotland. Associate producer : Edgar Anstey. (August, 1946.) 16 1/2 minutes.

CLOSE-UPS (Films of Great Britain). Production: Andrew Buchanan. Direction: Henry Cooper. Photography: Charles V. Francis. (1946.) 18 minutes.

COAL MINING TODAY (New Realm). Production: Sylvia Cummins. (1946.)
18 minutes.

COLONIAL CINE-MAGAZINE Series (Colonial Film Unit). Nos. I-5. (1946.)

COMBINED OPERATIONS (World Wide). Production: James Carr, for Army Kinematograph Corporation. Direction: Graham Cutts. Photography: Ronald Anscombe. (1946.) (Note.-In 5 parts, I3 reels in length, and running 110 minutes.)

CONCRETE DRY DOCKS (Basic). Production: R. K. Neilson Baxter, for the M.0.I. Direction: J. B. Napier Bell. (1946.) 1 reel.

CONTRIBUTION TO VICTORY (Technique). Production and direction: Ronald Riley, for Rolls-Royce. Photography: Reginald Wyer, Tristram Stack. Script: Francis King. Commentary: Geofrey Sumner. (1946.) 4 reels.

CREATURES OF COMFORT (Realist). Production: Brian Smith for the British Gas Council. Associate producer : Stephen Ackroyd. Direction and photography: Alex Strasser. Music: Horace Somerville. Commentary: David Tree. (1946.) 2 reels.

CRITICAL HARVEST (New Realm). Production : Sylvia Cummins, for the Ministry of Agriculture. (May, 1946.) 81 minutes.

CYPRUS IS AN ISLAND (Greenpark).Production and direction : Ralph Keene. Photography : George Still. Script : Laurie Lee. Editor : Peter Graham Scott. (1946.) 34 minutes.

DEFEATED PEOPLE, A (Crown). Production: Basil Wright, for the Directorate of Army Kinematography. Direction : Humphrey Jennings. (March, 1946.) 19 minutes.

DEPTH CHARGES (Basic). Production: R.K.Neilson Baxter, for the Admiralty. (1946.)

DRIVER WANTED (Verity). Produced for the Ministry of Labour. (1946.)

DUCKBILL LOADER (British Movietonenews). Production: Gerald Sanger, for the Ministry of Fuel and Power. (1946.)

EACH FOR ALL (Verity). Direction: Montgomery Tully. (1946.)

EDUCATION (World Wide). Production: Ralph Bond, for Directorate of Army Kinematography. Direction: Francis Cockburn. Photography: Geoffrey Williams. (1946.) 10 minutes.

EDUCATION OF THE DEAF (Data). Production: Donald Alexander, for the
British Council. Direction: Jack Ellitt. Photography: Wolfgang Suschitzky.
(1946.) 18 minutes.

ENGINEERING IN WAR AND PEACE (Army Kinematograph Service). (1946.)

ENGLISH CRIMINAL JUSTICE (Greenpark). Production : Henry Cass, for the British Council. Direction : Kenneth Annakin. Photography : Raymond Elton. Script: R. F. Delderfield, Kenneth Annakin. Commentary : Harold Warrender. (1946.)

ENGLISH VILLAGE (Colonial Film Unit). (1946.)

FAR HORIZONS (Verity). Production: Cossar Turfery, for Dunlop Co., Ltd. Direction : P. Cecil- Gurney. Photography : Fred Ford. Script : Cossar Turfery. (1946.) 66 minutes.

FIGHT AGAINST DISEASE (Realist). Production: Dorothy Grayson, for ICI
Direction: Pamela Geary. Photography: A.E.Jeakins. Commentary:
Geoffrey Bell. (1946.) 1 reel.

FIGHT FOR LIFE (Exploitation). Production: James Mellor. (June, 1946.)

FIGHT FOR LIFE (Taurus). Direction: John Page. (1946.) 17 minutes.

FIGHT TUBERCULOSIS IN THE HOME (Colonial Film Unit). (1946.)

FLYING WITH PRUDENCE (Merton Park). Production: F. A. Hoare for
Directorate of Accident Prevention, Air Ministry. Direction : F.A. Hoare .
Photography: Alan Dinsdale. Script: Oswald Skilbeck. With Patricia Cutts.
(1946.) 44 minutes.

FROM ITALY TO D-DAY (British Movietonenews) Compilation: Raymond Perrin. (1946.) 32 Minutes.

FROM THE RHINE TO VICTORY (British Paramount News). Compilation: A.S/ Graham. (April, 1946.) 50 minutes.

FURNACE PRACTICE (C.W.S.). Production: George Wynn, for the Ministry
of Fuel and Power. Direction: George Wynn. (July, 1946.) 30 minutes.

GARDEN FRIENDS AND FOES (G.B. Instructional). (1946.)

GENERAL ELECTION (Technique).Production and direction: Ronald Riley
for the British Council. Photography : Ray Elton, Henry Hall. Script: Mary Benedetta. Commentary: Geoffrey Sumner. (1946.) 2 reels.

GETTING ON WITH IT (C.O.I.). A compilation consisting of (1) Sun Spots,
(2) Photo Elastic Technique in Industrial Research, (3) A Boy In Toy Town.
(1946.) 10 minutes.

GLEN IS OURS, THE (Verity). Direction: Henry Cass, for the Scottish Office.
Photography: Ray Elton. (1946.) 15 minutes.

GREAT FAILURE ?, A. (See " Kelvin-Master of Measurement.")

GREAT GAME (Verity). Production and direction: Reg Groves. (1946.)

GREAT WESTERN APPROACHES (G.B. Instructional). Production: Frank Cadman, for Great Western Railway. (1946.) 11 minutes.

HANDS FULL OF POWER (United Motion Pictures). Production and direction: Edward Davey, for S. Wolf & Co., Ltd. Assistant director: Jack Sheppard. (1946.) 25 minutes.

HAND STRIPPING OF CARDS (Data). Production: Donald Alexander, for the Cotton Board. Direction : Peter Bradford. (1946.) 15 minutes.

HAUSER VILLAGE (Taurus). Production: John Page. Direction: Joan Duff. (November, 1946.)

HIGH ANGLE GUNNERY (G.B. Instructional). Production: Frank Cadman, for the Admiralty. Direction : B. Salt. (1946.) 55 minutes.

HISTORY OF THE DISCOVERY OF OXYGEN (Realist). Production: Yohn Taylor, for I.C.I. Direction and photography: Ronald Gardner. Educational adviser : Dorothy Grayson. (1946.) 1 1/2 reels.

HOME AND SCHOOL (Crown). Production: Alexander Sliaw, for the Ministry of Education. Direction: Gerard Bryant. (1946.)

HOME TO WEST AFRICA (Colonial Film Unit). (1946.)

HOSPITAL TEAM (Verity). (1946.)

HOUSE THAT JACK BUILT, THE (Crown). Production: Alexander Shaw, for the Ministry of Works. Direction : Graham Wallace. (October, 1946.)

HOUSES IN HISTORY (Seven-League). Associate producer: Paul Rotha,
for the Ministry of Education. Direction : Hans Nieter. (November, 1946.) 20 minutes.

HOW TO COOK FISH (Film, of Great Britain). Prodtiction: Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photography : Charles Francis. (February, 1946.) 11 minutes.

HOW TO MAKE CAKES (Films of Great Britain). Production: AndrewBuchanan, for the Ministry of Food. Direction: Henry Cooper. Photography: Charles Francis. (February, 1946.) 11 minute,.

HOW TO MAKE JAM (Films of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photography : Charles Francis. (February, 1946.) 11 minutes.

HOW TO PREPARE, SALADS (Filims of Great Britain). Production: Andrew Buchanan, for the Ministry of Food. Direction : Henry Cooper. Photography : Charles Frrancis. (February, 1946.) 10 minute.

IMMORTAL MEMORY, THE (Thames and Clyde). Production and direction: Stanley L. Russell. Photography: Frank McLachlan. (1946.) 38 minutes.

INDIAN BACKGROUND (New Realm). Production: Sylvia Cummins. (September, I946.) 9 minutes

INDIAN OCEAN (G.B. Instructional). Production and direction: Mary Field.
(1946.) 22minutes.

INSTITUTIONAL DOMESTIC SCIENCE (Merlin). Production: Michael Hankinson, for the Ministry of Health and Ministry of Labour. Direction: Gilbert Gunn. (November, 1946.) 15 3/4 minutes.

IT BEGAN ON THE CLYDE (Greenpark). Production: Ralph Keene, for
Department of Health for Scotland. Direction : Kenneth Annakin. Photography: Charles Marlborough. Script: Brian Smith. (February, 1946.) 15 minutes.

IT COMES FROM COAL (Realist). Production: Brian Smith, for the British Gas Council. Direction : Denys Parsons. Photography: Ronald Craigen.
Commentary : David Tree. (1946.) 1 reel.

IT MIGHT BE YOU (Crown). Production: Basil Wright. Direction: Michael Gordon. Photography: Fred Gamage. Recording: Charles Poulton. (1946.)
15 minutes.

JULIUS CAESAR (Verity). Production: Sydney Box, for the British Council.
Direction : Henry Cass. (1946.) [An excerpt from the play by Shakespeare.]

JUNGLE MARINERS (Crown). Production: Basil Wright. Direction : Ralph Elton. (January, 1946.) 16 minutes.

KEEPERS OF THE PEACE (Colonial Film Unit). (1946.)

KELVIN-MASTER OF MEASUREMENT (Publicity). Production and
direction: Harold Purcell, James Rogers, for Kelvin, Bottomley and Baird, Ltd.
Photography: James Rogers. Script: Arline Rogers, Harold Purcell. Commentary: John Laurie. With Richard Shayne, Yvette Pienne, John Laurie. (1946.) 52 minutes.

KITCHEN UNIT (Basic). Production: R. K. Neilson Baxter, for the M.0.I. Direction: Kay Mander. (1946.) 1 reel.

LAST SHOT, THE (M.0.I. and Netherlands Government). Direction and
photography: John Ferno. Commentary: Arthur Calder-Marshall. Musical
direction: Muir Mathieson. (1946.)

LESSONS FROM THE AIR (Merton Park). Produced for the British Council.
(1946.)

LETTER FROM BRITAIN (Verity) Production: Cossar Turfery, for the
British Council. Direction: Robert Lapresle. Photography : Robert Lapresle,
J. Lowin. Script: Mary Benedetta. Commentary: Stanley Maxted. Music:
Hubert Clifford (1946.) 22 minutes.

LETTUCE AND ONION (G.B. Instructional). Production : Frank Wells
Direction: T.James. (1946.) 22minutes.

LIMESTONE IN NATURE (Realist). Production: Dorothy Grayson, for the I.C.I. Direction and photography: Ronald Gardner. Conunentary: Carleton
Hobbs. (1946.) 1 reel.

LIVING AND NON-LIVING MATTER (G.B. Instructional). Production:
Frank Wells. Direction: T. James. (1946.) 11 minutes.

LOCAL NATIVE COUNCILS (Colonial Film Unit). (1946.)

LOCAL POLICE FORCE, THE (G.B. Instructional). Production: Frank Wells.
(1946.) 22 minutes.

LOCAL STUDIES VISUAL UNIT (Basic). Production: R. K. Neilson Baxter,
for the Ministry of Education. (1946.)

LOW SUGARCONTENTJAM-MAKING (Films of Great Britain). Production:
Andrew Buchanan, for the Ministry of Food. Directi